Werner's Magazine: A Magazine of Expression, Volum 19Werner's Magazine Company, 1897 |
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Side 7
... emotion or of musical inspiration ; hence a discussion of the question from a metaphysical or a purely æsthetic standpoint is a waste of time and in no way to the point . As a violinist's art is of little avail with a cheap , THE ...
... emotion or of musical inspiration ; hence a discussion of the question from a metaphysical or a purely æsthetic standpoint is a waste of time and in no way to the point . As a violinist's art is of little avail with a cheap , THE ...
Side 62
... emotional life of humanity . Richard Wagner has declared that beyond Beethoven absolute music could not go , and ... emotions , the very thing that the practice of the prin- ciples which underlie true training in expression will do ...
... emotional life of humanity . Richard Wagner has declared that beyond Beethoven absolute music could not go , and ... emotions , the very thing that the practice of the prin- ciples which underlie true training in expression will do ...
Side 64
... emotion . So , too , with the polyphony of the Wagner dramas , so pro- found and so purely psychical . On the con- trary , those who have been raised by edu- cation and by taste to the level of these great minds , are moved to the ...
... emotion . So , too , with the polyphony of the Wagner dramas , so pro- found and so purely psychical . On the con- trary , those who have been raised by edu- cation and by taste to the level of these great minds , are moved to the ...
Side 66
... emotional strength . " The Sea - Fight " was somewhat beyond Miss Alexander's ability , requiring greater vol- ume than she could command . In the scene from " Henry VIII . " her conception of Queen Katharine , according to her ren ...
... emotional strength . " The Sea - Fight " was somewhat beyond Miss Alexander's ability , requiring greater vol- ume than she could command . In the scene from " Henry VIII . " her conception of Queen Katharine , according to her ren ...
Side 79
... emotion . Still further increase that muscular action for breath , and also increase the expansion of the resonating - cavities ( all of which are above the mouth - cavity ) , and with tone and speech motors in control speech will be ...
... emotion . Still further increase that muscular action for breath , and also increase the expansion of the resonating - cavities ( all of which are above the mouth - cavity ) , and with tone and speech motors in control speech will be ...
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actor æsthetic American artistic audience autogram beauty body breath called CAPT character chest composers culture Demosthenes dramatic Dudley Buck elocution elocutionist emotion English Eugene Field exercises expression eyes feel gave gesture girl give Gunga Din hand hear heard heart human voice idea James Whitcomb Riley lady larynx Laura Sedgwick Collins listen literature look matter means melody ment mind Miss Muckey muscles musical recitations musician nature never opera orator oratory organs pantomime person pharynx phonograph physical piano pitch play poem poet practice Prof pupils reader scene Shakespeare singers singing sion song soul sound speak speech stage stammering student success sweet teach teacher tell thing thought throat tion tone true vocal cords voice vowel words writing York young
Populære avsnitt
Side 399 - IF the red slayer think he slays, Or if the slain think he is slain, They know not well the subtle ways I keep, and pass, and turn again. Far or forgot to me is near; Shadow and sunlight are the same ; The vanished gods to me appear; And one to me are shame and fame. They reckon ill who leave me out ; When me they fly, I am the wings ; I am the doubter and the doubt, And I the hymn the Brahmin sings.
Side 397 - Wha will be a traitor knave? Wha can fill a coward's grave? Wha sae base as be a slave? Let him turn and flee! Wha, for Scotland's King and Law, Freedom's sword will strongly draw, Free-man stand, or Free-man fa', Let him on wi
Side 537 - Trust not for freedom to the Franks, — They have a king who buys and sells. In native swords and native ranks The only hope of courage dwells; But Turkish force and Latin fraud Would break your shield, however broad.
Side 398 - TIGER! Tiger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire?
Side 319 - O hark, O hear ! how thin and clear, And thinner, clearer, farther going ! O sweet and far from cliff and scar The horns of Elfland faintly blowing ! Blow, let us hear the purple glens replying: Blow, bugle ; answer, echoes, dying, dying, dying.
Side 398 - On Linden, when the sun was low, All bloodless lay the untrodden snow, And dark as winter was the flow Of Iser, rolling rapidly.
Side 206 - Or man, or woman. Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope, but still bear up and steer Right onward.
Side 537 - You have the Pyrrhic dance as yet, Where is the Pyrrhic phalanx gone? Of two such lessons, why forget The nobler and the manlier one? You have the letters Cadmus gave, — Think ye he meant them for a slave?
Side 566 - With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon.
Side 397 - Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee...