The Aesthetic Theory of Thomas Hobbes: With Special Reference to His Contribution to the Psychological Approach in English Literary Criticism |
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Side 37
Imagination , as the recipient and storehouse of images , is usually identified , or associated , with the memory . Phantasy , as in Avicenna and Albertus Magnus , is quite consistently the constructive faculty .
Imagination , as the recipient and storehouse of images , is usually identified , or associated , with the memory . Phantasy , as in Avicenna and Albertus Magnus , is quite consistently the constructive faculty .
Side 132
At one point in De Anima he says in effect that even in mathematics a man can actually think only with an image before him.2 He would evidently say that images are a condition to pleasure , in that a man experiences mental pleasure only ...
At one point in De Anima he says in effect that even in mathematics a man can actually think only with an image before him.2 He would evidently say that images are a condition to pleasure , in that a man experiences mental pleasure only ...
Side 248
... there is no difference between the Images and the things themselves ; as we see , for example , in Fevers and Mad ... Dennis points out that these great writers not only drew an “ Image or Picture of it , ” but in order to present ...
... there is no difference between the Images and the things themselves ; as we see , for example , in Fevers and Mad ... Dennis points out that these great writers not only drew an “ Image or Picture of it , ” but in order to present ...
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Innhold
CHAPTER PAGE | 3 |
SOME OF HOBBESS PREDECESSORS IN THE PSYCHO | 25 |
HOBBESS THEORY OF IMAGINATION | 79 |
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according actions activity acts admiration aesthetic Answer appears appetite Aristotle Bacon beauty becomes body called causes conception criticism Davenant definition delight Dennis desire Dryden effects Elements Elements of Law emotional English Essays evidence experience expression fact faculty fancy follow functions further genius give hand History Hobbes Hobbes's human Ibid ideal ideas images imagination imitation important influence interest invention judg judgment kind knowledge language later learned Leviathan London materials matter means memory method mind motion move names nature never novelty object observation original passage passions perception philosophy pleasure poem poet poetic poetry Preface present principle processes produce psychological reader reason relation remarks rules seems sense shows soul sources speak specific Spingarn spirit statement theory things thought tion true truth understanding whole writes