The Aesthetic Theory of Thomas Hobbes: With Special Reference to His Contribution to the Psychological Approach in English Literary Criticism |
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... which appealed directly to his active nature.60 Hobbes had early developed a deep interest in manifestations of influence and power . Indeed , throughout his works , he regards the passion for power as dominant in human nature .
... which appealed directly to his active nature.60 Hobbes had early developed a deep interest in manifestations of influence and power . Indeed , throughout his works , he regards the passion for power as dominant in human nature .
Side 290
Longinus is traditionally given credit for the growth of interest in sublimity and for much of the paradoxical tolerance for emotion in art in a period prevailingly rational . If all the facts are taken into consideration , however , it ...
Longinus is traditionally given credit for the growth of interest in sublimity and for much of the paradoxical tolerance for emotion in art in a period prevailingly rational . If all the facts are taken into consideration , however , it ...
Side 306
It revolves too nearly about the axle of self - interest . His theory of tragic effect represents a divergence from rather than a fulfilment or complement of Aristotle's view of equilibrium through purgation .
It revolves too nearly about the axle of self - interest . His theory of tragic effect represents a divergence from rather than a fulfilment or complement of Aristotle's view of equilibrium through purgation .
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Innhold
CHAPTER PAGE | 3 |
SOME OF HOBBESS PREDECESSORS IN THE PSYCHO | 25 |
HOBBESS THEORY OF IMAGINATION | 79 |
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according actions activity acts admiration aesthetic Answer appears appetite Aristotle Bacon beauty becomes body called causes conception criticism Davenant definition delight Dennis desire Dryden effects Elements Elements of Law emotional English Essays evidence experience expression fact faculty fancy follow functions further genius give hand History Hobbes Hobbes's human Ibid ideal ideas images imagination imitation important influence interest invention judg judgment kind knowledge language later learned Leviathan London materials matter means memory method mind motion move names nature never novelty object observation original passage passions perception philosophy pleasure poem poet poetic poetry Preface present principle processes produce psychological reader reason relation remarks rules seems sense shows soul sources speak specific Spingarn spirit statement theory things thought tion true truth understanding whole writes