Beethoven: The Music and the Life

Forside
W. W. Norton & Company, 2003 - 604 sider
In this brilliant portrayal of the world's most famous composer, eminent Beethoven scholar Lewis Lockwood interweaves his subject's musical and biographical dimensions and places them in their historical and artistic contexts. Written for the lay reader, the book describes the special problems Beethoven faced as a highly gifted artist who fulfilled his destiny as Mozart's main successor while remaining a true, rebellious original. It sketches the turbulent personal, historical, political, and cultural frameworks in which Beethoven worked and demonstrates their effects on his music. Finally, it turns to the composer in his last years, with great achievements behind him, surmounting the crisis of finding still further artistic paths by which to continue. Also, by providing glimpses into the composer's sketchbooks and autograph manuscripts, Lockwood allows us to gain substantial insights into Beethoven's compositional methods. In a publishing first, musically literate readers will find some one hundred notated music examples on a special Web site. 50 illustrations, 8 music examples.
 

Innhold

VII
25
VIII
31
IX
35
X
38
XI
42
XII
46
XIII
47
XIV
50
LVII
269
LVIII
274
LIX
280
LX
288
LXI
292
LXII
299
LXIII
303
LXIV
312

XV
53
XVI
55
XVII
62
XVIII
64
XIX
69
XX
73
XXI
74
XXII
80
XXIII
86
XXIV
88
XXV
93
XXVIII
96
XXIX
111
XXX
115
XXXI
124
XXXII
130
XXXIII
140
XXXIV
142
XXXV
144
XXXVI
147
XXXVII
151
XXXVIII
156
XXXIX
159
XL
169
XLI
181
XLII
187
XLIII
196
XLIV
202
XLV
204
XLVI
214
XLVII
217
XLVIII
230
XLIX
238
L
241
LI
245
LII
248
LIII
252
LIV
255
LV
262
LVI
266
LXV
325
LXVI
333
LXVII
334
LXVIII
336
LXIX
337
LXX
341
LXXI
342
LXXII
344
LXXIII
346
LXXIV
349
LXXV
355
LXXVI
358
LXXVII
363
LXXVIII
366
LXXIX
370
LXXX
377
LXXXI
384
LXXXII
391
LXXXIII
395
LXXXIV
400
LXXXV
411
LXXXVI
413
LXXXVII
417
LXXXVIII
424
LXXXIX
427
XC
441
XCII
446
XCIII
452
XCIV
458
XCV
468
XCVI
479
XCVII
488
XCVIII
491
XCIX
551
C
559
CI
579
CII
585
CIII
591
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Side 20 - Picture to yourself the dirtiest, most disorderly place imaginable — blotches of moisture covered the ceiling; an oldish grand piano, on which the dust disputed the place with various pieces of engraved and manuscript music; under the piano (I do not exaggerate) an unemptied pot de nuit...
Side 16 - But if it were nothing more, the satisfaction which it affords would be like that which we feel when a sum in arithmetic comes out right, and could not be that intense pleasure with which we see the deepest recesses of our nature find utterance.

Om forfatteren (2003)

Lewis Lockwood taught at Princeton and Harvard universities, where he is Fanny Peabody Professor of Music Emeritus. His Beethoven: The Music and the Life was a Pulitzer Prize finalist. He resides in Brookline, Massachusetts.

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