Till, skill'd her separate features to design, 589 * Oft, when alone, the studious hour employ On what may aid your art, and what destroy; + Diversity of parts is sure to please, If all the various parts unite with ease; 600 Corpora viva super studium meditabitur, ante Illorum quam symmetriam, internodia, formam Noverit, inspectis, docto evolvente magistro, 430 Archetypis, dulcesque dolos præsenserit artis. Plusque manu ante oculos quam voce docebiturusis. Quære artem quæcunque juvant; fuge quæque repugnant. $ Corpora diversæ natura juncta placebunt; Sic ea quæ facili contempta labore videntur: 435 *LX. Art must be subservient to the Painter. + LXI. Diversity aud Faci. lity are pleasing. LX. Ars debet servire Pictori, non Pictor Arti. LXI. Oculos recreant diversitas et operis facilitas, quæ speciatim Ars dicit. As surely charms that voluntary style, * This to obtain, let taste with judgment join'd Æthereus quippe ignis inest et spiritus illis ; Mente diu versata, manu celeranda repenti. Arsque laborque operis grata sic fraude latebit: Maxima deinde erit ars, nihil artis inesse videri. + Nec prius inducas tabulæ pigmenta colorum, 440 Expensi quam signa typi stabilita nitescant, Et menti præsens operis sit pegma futuri. * LXII. The Original must + LXII. Archetypus in be in the Head, and the Copy mente, Apographus in tela. on the Cloth. Then as the work proceeds, that work submit 615 + Give to the dictates of the learn'd respect, i Prævaleat sensus rationi, quæ officit arti Conspicuæ; inque oculis tantummodo circinus esto. : $ Utere doctorum monitis, nec sperne superbus 445 Discere, quæ de te fuerit sententia vulgi : Est cæcus nam quisque suis in rebus, et expers Judicii, prolemque suam miratur amatque. Ast ubi consilium deerit sapientis amici, Id tempus dabit, atque mora, intermissa labori. 450 LXIII. Cercinus in Oculis. * LXIII. The Compass to be in the Eyes. + + LXIV. Pride an enemy to good Painting. $ LXIV.Superbia Pictori nocet plurimum. But these subdu’d, let thy determin'd mind Non facilis tamen ad nutus, et inania vulgi Dicta, levis mutabis opus, geniumque relinques : Nam qui parte sua sperat bene posse mereri Multivaga de plebe, nocet sibi, nec placet ulli. was + Cumque opere in proprio soleat se pingere pictor, 455 (Prolem adeo sibi ferre parem natura suevit), Proderit imprimis pictori yowll geautov, Ut data quæ genio colat, abstineatque negatis. But as the blushing fruits, the breathing flowers,' * Thus though to pains and practice much we owe, Though thence each line obtains its easy flow, Yet let those pains, that practice, ne'er be join'd, To blunt the native vigour of the mind. 650 + When shines the Morn, when in recruited course The spirits flow, devote their active force Fructibus utque suus nunquam est sapor, atque venustas Floribus, insueto in fundo, præcoce sub anni 460 Tempore, quos cultus violentus et ignis adegit: Sic nunquam, nimio quæ sunt extorta labore, Et picta invito genio, nunquam illa placebunt. § Vera super meditando, manûs labor improbus adsit; LXVI. Quod mente conceperis manu comproba. * LXVI. Perpetually prac. tice, and do easily what you have conceived. + LXVII. The Morning most proper for work. ♡ LXVII. Matutinum Tempus labori aptum. |