The Complete Works of Sir Joshua Reynolds: First President of the Royal Academy : with an Original Memoir, and Anecdotes of the Author, Volum 3T. M'Lean, 1824 |
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Side 8
... proper to expel them from this edition , in order to make room for their betters . As to the poetical powers of my author , I do not suppose that these alone would ever have given him a place in the numerous libraries which he now holds ...
... proper to expel them from this edition , in order to make room for their betters . As to the poetical powers of my author , I do not suppose that these alone would ever have given him a place in the numerous libraries which he now holds ...
Side 14
... proper to take a journey into Italy , where he arrived in the end of 1633 , or the beginning of 1634 . As he had , during his studies , applied himself very much to that of geometry , he began upon his coming to Rome , to paint ...
... proper to take a journey into Italy , where he arrived in the end of 1633 , or the beginning of 1634 . As he had , during his studies , applied himself very much to that of geometry , he began upon his coming to Rome , to paint ...
Side 46
... proper robe ; 285 With ample pall let monarchs sweep the globe ; In garb succinct and coarse array the swain ; In light and silken veils the virgin train . Where in black shade the deeper hollow lies , Assisting art some midway folds ...
... proper robe ; 285 With ample pall let monarchs sweep the globe ; In garb succinct and coarse array the swain ; In light and silken veils the virgin train . Where in black shade the deeper hollow lies , Assisting art some midway folds ...
Side 48
... XXVII . Grace and Ma- jesty . + XXVIII . Every thing in its proper place . XXVII . Charitas et Nobilitas . § XXVIII . Res quæque locum suum teneat . * Thy last , thy noblest task remains untold , 48 . THE ART OF PAINTING .
... XXVII . Grace and Ma- jesty . + XXVIII . Every thing in its proper place . XXVII . Charitas et Nobilitas . § XXVIII . Res quæque locum suum teneat . * Thy last , thy noblest task remains untold , 48 . THE ART OF PAINTING .
Side 76
... you have conceived . + LXVII . The Morning most proper for work . + LXVI . Quod mente con- ceperis manu comproba . § LXVII . Matutinum Tempus labori aptum . To every nicer part of thy design , * But 76 THE ART OF PAINTING ,
... you have conceived . + LXVII . The Morning most proper for work . + LXVI . Quod mente con- ceperis manu comproba . § LXVII . Matutinum Tempus labori aptum . To every nicer part of thy design , * But 76 THE ART OF PAINTING ,
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The Complete Works of Sir Joshua Reynolds: First President of the ..., Volum 3 Sir Joshua Reynolds Uten tilgangsbegrensning - 1824 |
The Complete Works of Sir Joshua Reynolds, First President of the ..., Volum 3 Sir Joshua Reynolds Uten tilgangsbegrensning - 1824 |
The Complete Works Of Sir Joshua Reynolds: First President Of The Royal ... Sir Joshua Reynolds Ingen forhåndsvisning tilgjengelig - 2018 |
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action admirable Æneas Albert Durer amongst ancient Annibale Annibale Caracci Apelles appear Aristotle ART OF PAINTING artis artist atque beauty betwixt bright called canvass Caracci charms colorum colours compass composition Corpora Corregio disciple divine drapery Dryden epic epic poetry excellence expression face finishing forms Fresnoy Fresnoy's genius Geryon Giulio Romano give glow grace hæc hand harmony hero hues idea imitation Inque invention Jan Steen judgment labour light and shade Lodovico Caracci Luminis majesty manner master Membra Michel Angelo mind Muse nature never noble NOTE o'er ornament painter Paolo Veronese passions perfect persons Phidias picture piece pleasing poem poet poetry portrait practice precept principal quæ Quæque racter Raffaelle Rubens rules sculpture shadow sight single figure Sophocles spectator Statius style tabula taste things tints Titian tragedy translation true umbris Venice VERSE Virgil whole Zeuxis