The idler in Italy, Volum 1 |
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Side 54
... approach close to the terrace where Voltaire was standing , and stare at him with an air of intense curiosity . Voltaire turned himself round and round , that the stranger might have a more distinct view of him ; then retired , and ...
... approach close to the terrace where Voltaire was standing , and stare at him with an air of intense curiosity . Voltaire turned himself round and round , that the stranger might have a more distinct view of him ; then retired , and ...
Side 114
... approach the country of the Allo- broges . Cæsar classes the habitation of the Gauls under the names , Vici and Oppida , the first were the hamlets , or villages , occupied in times of peace , and were generally placed near a wood , or ...
... approach the country of the Allo- broges . Cæsar classes the habitation of the Gauls under the names , Vici and Oppida , the first were the hamlets , or villages , occupied in times of peace , and were generally placed near a wood , or ...
Side 117
... approach the place ; the bravery of its inhabitants being suffi- ciently well known to be dreaded by these troops . Vienne is mentioned by Martial in the following lines , equally complimentary to himself and to it : " Festus habere ...
... approach the place ; the bravery of its inhabitants being suffi- ciently well known to be dreaded by these troops . Vienne is mentioned by Martial in the following lines , equally complimentary to himself and to it : " Festus habere ...
Side 160
... approach to the latter town is striking and imposing . It is sur- rounded by rocky mountains of the most pic- turesque form ; behind which are seen towering still loftier ones , furnishing , as it were , a double rampart of defence to ...
... approach to the latter town is striking and imposing . It is sur- rounded by rocky mountains of the most pic- turesque form ; behind which are seen towering still loftier ones , furnishing , as it were , a double rampart of defence to ...
Side 184
... approach to Avignon is imposing : the high towers of the ancient palace , with their rich and warm toned hue of brown , rise above the walls of the city ; and many a spire and steeple give beauty to the picture , which is crowned by ...
... approach to Avignon is imposing : the high towers of the ancient palace , with their rich and warm toned hue of brown , rise above the walls of the city ; and many a spire and steeple give beauty to the picture , which is crowned by ...
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The idler in Italy, Volum 1 Marguerite Gardiner (countess of Blessington.) Uten tilgangsbegrensning - 1839 |
Vanlige uttrykk og setninger
acquaintance admiration agreeable amusement ancient animation Antibes antiquities appearance aqueduct arch Avignon beautiful behold brilliant building Byron charm château church Claude Lorraine Colombe colour commands Comte D'Hautpoul countenance death delighted dinner dressed effect England English erected excited eyes feelings feet flowers formed France Frejus French friends furnish Gauls grotto honour hues imagination indulge inhabitants interest Julius Cæsar La Turbie ladies less look Lord Byron Louis XVIII luxuriant Madame marble Marseilles melancholy memory Mentone ments mind Monsieur Mont de Piété mountains Napoleon nature never objects ornamented palace passed Paul Veronese peculiar person Petrarch picture picturesque pleasure possess present rare reflections remarkable rendered residence Rhône rich road rocks Roman route ruins scene scenery seemed seen side soirées soldiers specimens spot taste thermæ tion to-day town trees vanity Vaucluse Vienne vineyards Voltaire walls wild women
Populære avsnitt
Side 37 - I see before me the Gladiator lie : He leans upon his hand — his manly brow Consents to death, but conquers agony ; And his droop'd head sinks gradually low ; And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder shower ; and now The arena swims around him — he is gone, Ere ceased the inhuman shout which hail'd the wretch who won.
Side 66 - I will not dissemble the first emotions of joy on the recovery of my freedom, and perhaps the establishment of my fame. But my pride was soon humbled, and a sober melancholy was spread over my mind by the idea that I had taken my everlasting leave of an old and agreeable companion, and that, whatsoever might be the future date of my History, the life of the historian must be short and precarious.
Side 396 - Why do those cliffs of shadowy tint appear More sweet than all the landscape smiling near ?Tis distance lends enchantment to the view, And robes the mountain in its azure hue.
Side 65 - It was on the day, or rather night, of the 27th of June 1787, between the hours of 11 and 12, that I wrote the last lines of the last page in a summer-house in my garden. After laying down my pen, I took several turns in a berceau, or covered walk of acacias, which commands a prospect of the country, the lake, and the mountains.
Side 66 - The air was temperate, the sky was serene, the silver orb of the moon was reflected from the waters, and all nature was silent. I will not dissemble the first emotions of joy on the recovery of my freedom, and perhaps the establishment of my fame. But my pride was soon humbled, and a sober melancholy was spread over my mind, by the idea that I had taken an everlasting leave of an old and agreeable companion, and that whatsoever might be the future date of my History, the life of the historian must...
Side 41 - The learned SMELFUNGUS travelled from Boulogne to Paris from Paris to Rome and so on but he set out with the spleen and jaundice, and every object he pass'd by was discoloured or distorted He wrote an account of them, but 'twas nothing but the account of his miserable feelings.
Side 196 - La vita fugge e non s' arresta un' ora; E la morte vien dietro a gran giornate; E le cose presenti e le passate Mi danno guerra, e le future ancora; E '1 rimembrar e 1' aspettar m' accora Or quinci or quindi sì, che 'n veritate, Se non eh' i' ho di me stesso pietate, I' sarei già di questi pensier fora.
Side 57 - D'un traité de philosophie Et d'un malheureux enfant. On ne sait précisément Lequel des deux nous l'a ravie. Sur ce funeste événement, Quelle opinion doit-on suivre? Saint-Lambert s'en prend au livre, Voltaire dit que c'est l'enfant.
Side 57 - This ring had been constantly worn, and Voltaire, on the death of the Marquise, claimed it, stating that it contained his portrait. What must have been his surprise, on touching the spring, to discover that of his rival ! yet it prevented him not from honoring her memory by the following pompous epitaph : — " L'univers a perdu la sublime Emilie ; Elle aimait les plaisirs, les arts, la vérité ; Les dieux en lui donnant leur âme et leur génie, Ne se sont reservés que l'immortalité.
Side 42 - One would suppose, that instead of a single family, a regiment at least, were about to move...