early morning service at the time that it occurred, and when a great cry of terror arose from the women and children in the assembly, he left the text he had given out, and shouted, Therefore will we not fear, though the earth be removed.' Charles Wesley himself found, in this awful visitation, the inspiration of some stirring hymns-among them one in which the words, 'Look up and see your Lord appear,' is the refrain of every verse. The following hymn appeared the year after the great catastrophe at Lisbon : 'Stand the omnipotent decree ! 'Rests secure the righteous man! ་ Lo! the heavenly spirit towers Like flame, o'er nature's funeral pyre, Triumphs in immortal powers, And claps his wings of fire! 'Nothing hath the just to lose By worlds on worlds destroyed; The grand millennial reign begun ; Around the eternal throne. Resting in this glorious hope To earthquake, plague, or sword; The latest trumpet of the seven, Soon our souls and dust shall join, And both fly up to heaven.' The following is a free translation of a hymn composed by Thomas Aquinas : 'Good and tender Shepherd, hear us! Bread of Heaven, in love come near us ! Feed us, lead us, and defend us, Make us see whate'er Thou send us ; In the land of earthly living Is Thy wise and gracious giving. 6 'Thou, who feedst us here as mortals, Ordering all things that befall us, Safe within celestial portals, Oh! at last, in mercy call us! 'Take us to the realms of love, In early Christian Art the symbol of the Good Shepherd and the sheep is frequently given, and richly illustrated. Tertullian incidentally mentions it as even being painted on the communion-cups, or chalices of glass, in that early age.-Dr. Macduff. Very many, and these among the most glorious, compositions in the hymn-book of Protestant Germany date from the period of the Thirty Years' War. Many men,' as a poet of our own has said, Are cradled into poetry by wrong, And learn in suffering what they teach in song.' So was it in his case; and as this was a time full of suffering and wrath and wrong-doing, so was it also a time when sacred song-which since Luther had shown comparatively little vitality—burst forth with a new luxuriance, and it may be noticed as remarkable, that it is rich, not so much as one might beforehand have expected, in lamentations, in Misereres, and in cries of De profundis (though these also are not wanting), as in Te Deums and Magnificats, hymns of high hope and holy joy, rising up from the darkness and distress of this world to the throne of Him who giveth songs in the night,' and enables His servants to praise Him even in the fires. Some among the chief sufferers by these prolonged and terrible wars-Paul Gerhard, for instance, and Schirmer (the German 'Job,' as he called himself, with allusion to all that he had gone through)—were also the chief lyrists. -Trench, in the Thirty Years' War.' The following hymn was composed by Paul Gerhard at a time of peculiar distress and perplexity, when no help seemed likely to come to him : 'Commit thy way to God The weight which makes thee faint; Worlds are to Him no load, To Him breathe thy complaint. 'Thou must in Him be blest, 'Father! Thy faithful love, Thy mercy, wise and mild, Nor sufferest them to lose. 'All means always possessing, No foe can make Thee pause, |