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action Addiſon afterwards againſt appears becauſe better called cenſure character collection common compoſitions conſidered converſation criticiſm death deſign Dryden duke earl eaſily effect elegant Engliſh excellence favour firſt force formed friends genius give given hands himſelf hundred Italy kind king knew knowledge known language laſt learning leſs lines lived lord manner means mention mind moſt muſt nature never obſerved occaſion once opinion original paſſions performance perhaps perſon play pleaſe poem poet poetical poetry Pope praiſe preface preſent probably produced publick publiſhed raiſed reader reaſon received remarks ſaid ſame ſays ſeems ſhall ſhould ſome ſometimes ſtage Steele ſtudy ſubject ſuch ſuffer ſuppoſed theſe thing thoſe thought tion told tragedy tranſlated true uſe verſes whole whoſe write written wrote
Side 153 - From harmony, from heavenly harmony, This universal frame began : When Nature underneath a heap of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high. Arise ye more than dead. Then cold and hot, and moist and dry, In order to their stations leap, And music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man.
Side 93 - Of this kind of meanness he never seems to decline the practice or lament the necessity : he considers the great as entitled to encomiastic homage ; and brings praise rather as a tribute than a gift, more delighted with the fertility of his invention than mortified by the prostitution of his judgment.
Side 158 - A milk-white Hind, immortal and unchang'd, Fed on the lawns, and, in the forest rang'd : Without unspotted, innocent within, She fear'd no danger, for she knew no sin. Yet had she oft been chas'd with horns and hounds, And Scythian shafts, and many winged wounds Aim'd at her heart ; was often forc'd to fly, And doom'd to death, though fated not to die.
Side 259 - James, whose skill in physic will be long remembered ; and with David Garrick, whom I hoped to have gratified with this character of our common friend. But what are the hopes of man ? I am disappointed by that stroke of death which has eclipsed the gaiety of nations, and impoverished the public stock of harmless pleasure.
Side 109 - To judge rightly of an author, we must transport ourselves to his time, and examine what were the wants of his contemporaries, and what were his means of supplying them.
Side 111 - Dryden is the criticism of a poet ; not a dull collection of theorems, nor a rude detection of faults, which perhaps the censor was not able to have committed ; but a gay and vigorous dissertation, where delight is mingled with instruction, and where the author proves his right of judgment by his power of performance.
Side 212 - Whether our English audience have been pleased hitherto with, acorns, as he calls it, or with bread, is the next question ; that is, whether the means which Shakspeare and Fletcher have used in their plays to raise those passions before named, be better applied to the ends by the Greek poets than by them.
Side 140 - Which, flank'd with rocks, did close in covert lie ; And round about their murdering cannon lay, At once to threaten and invite the eye. Fiercer than cannon, and than rocks more hard, The English undertake th' unequal war : Seven ships alone, by which the port is barr'd, Besiege the Indies, and all Denmark dare.