Byron, the PoetV. Gollancz, 1964 - 352 sider |
Inni boken
Resultat 1-3 av 56
Side 64
... Murray on 5 Sept. 1812 ( LJ , II , 140 ) ; and in LBC , I , 148 ( to Lady Melbourne , 19 Apr. 1813 ) , Byron writes ... Murray , 26 Aug. 1813 ) . 4 LJ , II , 204 ( to Murray , 13 May 1813 ) ; 210 ( to Murray , 23 May 1813 ) ; 214-5 ( to ...
... Murray on 5 Sept. 1812 ( LJ , II , 140 ) ; and in LBC , I , 148 ( to Lady Melbourne , 19 Apr. 1813 ) , Byron writes ... Murray , 26 Aug. 1813 ) . 4 LJ , II , 204 ( to Murray , 13 May 1813 ) ; 210 ( to Murray , 23 May 1813 ) ; 214-5 ( to ...
Side 127
... Murray , 15 Feb. 1817 ) ; 68 ( to Murray , 9 Mar. 1817 ) . 3 LJ , IV , 110 ( to Murray , 14 Apr. 1817 ) ; 115 ( to Murray , 5 May 1817 ) . The incantation ( Manfred , I , i , 192-261 ) , published with The Prisoner of Chillon , was ...
... Murray , 15 Feb. 1817 ) ; 68 ( to Murray , 9 Mar. 1817 ) . 3 LJ , IV , 110 ( to Murray , 14 Apr. 1817 ) ; 115 ( to Murray , 5 May 1817 ) . The incantation ( Manfred , I , i , 192-261 ) , published with The Prisoner of Chillon , was ...
Side 128
... Murray , 29 June 1821 ) ; LBC , II , 174 and n . ( to Hobhouse , 20 May 1821 ) ; Pref . to Marino Faliero ( Poetry , IV , 337 ) . Other references to his mistrust of the contemporary stage : LJ , V , 299 ( to Murray , 25 May 1821 ) ...
... Murray , 29 June 1821 ) ; LBC , II , 174 and n . ( to Hobhouse , 20 May 1821 ) ; Pref . to Marino Faliero ( Poetry , IV , 337 ) . Other references to his mistrust of the contemporary stage : LJ , V , 299 ( to Murray , 25 May 1821 ) ...
Andre utgaver - Vis alle
Vanlige uttrykk og setninger
action actual allows already appears becomes beginning Byron cant Canto character Childe Harold comic common complete contrast death described digression Don Juan earlier early effect element English epic episode example experience fact fall feeling figure followed give Haidée hero human imagination Italy Juan's kind Lady later least less Letters live look Lord manner material means mind Moore moral Murray narrative narrator nature never ocean once original passage passion perhaps play poem poet Poetry political Pope possible present reference reflection relation remains romantic ruin satire scene seems seen sense society soul spirit stanzas story style theme things thought tion tradition true turn whole writing written