Byron, the PoetV. Gollancz, 1964 - 352 sider |
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Side 14
... beginning of Canto II . For here Byron discovers what is to become the master - device of the poem , the use of ruined monuments as the link between present and past , and opens what is to be its central theme , the triumph of time and ...
... beginning of Canto II . For here Byron discovers what is to become the master - device of the poem , the use of ruined monuments as the link between present and past , and opens what is to be its central theme , the triumph of time and ...
Side 108
... beginning Sar- danapalus , he heard that Elliston intended to present Marino Faliero at Drury Lane . With growing irritation , he sent a series of protests to Murray ; in spite of this , the play was mounted for a few nights just after ...
... beginning Sar- danapalus , he heard that Elliston intended to present Marino Faliero at Drury Lane . With growing irritation , he sent a series of protests to Murray ; in spite of this , the play was mounted for a few nights just after ...
Side 163
... beginning to end , an intelligible character : as much so as the Satan of Milton.4 It is a passage that Byron probably read , and its speculation would certainly have been congenial to him . For Don Juan , almost from the beginning ...
... beginning to end , an intelligible character : as much so as the Satan of Milton.4 It is a passage that Byron probably read , and its speculation would certainly have been congenial to him . For Don Juan , almost from the beginning ...
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action actual allows already appears becomes beginning Byron cant Canto character Childe Harold comic common complete contrast death described digression Don Juan earlier early effect element English epic episode example experience fact fall feeling figure followed give Haidée hero human imagination Italy Juan's kind Lady later least less Letters live look Lord manner material means mind Moore moral Murray narrative narrator nature never ocean once original passage passion perhaps play poem poet Poetry political Pope possible present reference reflection relation remains romantic ruin satire scene seems seen sense society soul spirit stanzas story style theme things thought tion tradition true turn whole writing written