Byron, the PoetV. Gollancz, 1964 - 352 sider |
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Side 101
... Historical Illustrations to the Canto appeared separately in 1818 , and were later incorporated in Italy ( 1859 ) . For Ugo Foscolo's contribution , see E. R. Vincent , Byron , Hobhouse and Foscolo ( 1949 ) . 58 CH , IV , 40-41 , 54-60 ...
... Historical Illustrations to the Canto appeared separately in 1818 , and were later incorporated in Italy ( 1859 ) . For Ugo Foscolo's contribution , see E. R. Vincent , Byron , Hobhouse and Foscolo ( 1949 ) . 58 CH , IV , 40-41 , 54-60 ...
Side 112
... historical tragedies was quite simply that they appealed to Byron's sense of fact ; and , although he took legitimate liberties in reshaping his material , he insisted on his use of historical facts just as in the Tales he prided ...
... historical tragedies was quite simply that they appealed to Byron's sense of fact ; and , although he took legitimate liberties in reshaping his material , he insisted on his use of historical facts just as in the Tales he prided ...
Side 178
... historical realities of 1789-90 ; in Con- stantinople , with the appearance of Johnson , we approach actual historic events ; and with the siege of Ismail , we have one such event set before us in exact , though heightened , historical ...
... historical realities of 1789-90 ; in Con- stantinople , with the appearance of Johnson , we approach actual historic events ; and with the siege of Ismail , we have one such event set before us in exact , though heightened , historical ...
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action actual allows already appears becomes beginning Byron cant Canto character Childe Harold comic common complete contrast death described digression Don Juan earlier early effect element English epic episode example experience fact fall feeling figure followed give Haidée hero human imagination Italy Juan's kind Lady later least less Letters live look Lord manner material means mind Moore moral Murray narrative narrator nature never ocean once original passage passion perhaps play poem poet Poetry political Pope possible present reference reflection relation remains romantic ruin satire scene seems seen sense society soul spirit stanzas story style theme things thought tion tradition true turn whole writing written