Byron, the PoetV. Gollancz, 1964 - 352 sider |
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Side 31
... interest in specialised forms of occupation or skill . One such passage is the lively account of the bullfight at Cadiz , 58 where the Spenserian colouring allows him to present the bravery and violence of the spectacle with emotional ...
... interest in specialised forms of occupation or skill . One such passage is the lively account of the bullfight at Cadiz , 58 where the Spenserian colouring allows him to present the bravery and violence of the spectacle with emotional ...
Side 107
... interest , takes on the attributes of a guilty and remorseful hero . Such a figure is still acceptable in the Tales , where the interest is mainly narrative . But already , in Lara , Byron had found that it cannot be made to take too ...
... interest , takes on the attributes of a guilty and remorseful hero . Such a figure is still acceptable in the Tales , where the interest is mainly narrative . But already , in Lara , Byron had found that it cannot be made to take too ...
Side 111
... interest as an attempt at the roman policier and as a kind of corollary to the theological dramas ; and despite Byron's dis- claimer , it comes closest of all the dramas to the acceptable dramatic form of his time . The first interest ...
... interest as an attempt at the roman policier and as a kind of corollary to the theological dramas ; and despite Byron's dis- claimer , it comes closest of all the dramas to the acceptable dramatic form of his time . The first interest ...
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action actual allows already appears becomes beginning Byron cant Canto character Childe Harold comic common complete contrast death described digression Don Juan earlier early effect element English epic episode example experience fact fall feeling figure followed give Haidée hero human imagination Italy Juan's kind Lady later least less Letters live look Lord manner material means mind Moore moral Murray narrative narrator nature never ocean once original passage passion perhaps play poem poet Poetry political Pope possible present reference reflection relation remains romantic ruin satire scene seems seen sense society soul spirit stanzas story style theme things thought tion tradition true turn whole writing written