Byron, the PoetV. Gollancz, 1964 - 352 sider |
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Side 74
... less of the pilgrim than in any of the preceding , and that little slightly , if at all , separated from the author speaking in his own person . The fact is , that I had become weary of drawing a line which every one seemed determined ...
... less of the pilgrim than in any of the preceding , and that little slightly , if at all , separated from the author speaking in his own person . The fact is , that I had become weary of drawing a line which every one seemed determined ...
Side 84
... less misleadingly than in the early cantos ) can be divi- ded into three general categories . There are , first , the genuinely " accretive " stanzas which develop a theme already stated or implicit in the original " matrix " stanzas.52 ...
... less misleadingly than in the early cantos ) can be divi- ded into three general categories . There are , first , the genuinely " accretive " stanzas which develop a theme already stated or implicit in the original " matrix " stanzas.52 ...
Side 233
... less terrible but , in the end , no less desolate : Between two worlds life hovers like a star , ' Twixt night and morn , upon the horizon's verge : How little do we know that which we are ! How less what we may be ! The eternal surge ...
... less terrible but , in the end , no less desolate : Between two worlds life hovers like a star , ' Twixt night and morn , upon the horizon's verge : How little do we know that which we are ! How less what we may be ! The eternal surge ...
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action actual allows already appears becomes beginning Byron cant Canto character Childe Harold comic common complete contrast death described digression Don Juan earlier early effect element English epic episode example experience fact fall feeling figure followed give Haidée hero human imagination Italy Juan's kind Lady later least less Letters live look Lord manner material means mind Moore moral Murray narrative narrator nature never ocean once original passage passion perhaps play poem poet Poetry political Pope possible present reference reflection relation remains romantic ruin satire scene seems seen sense society soul spirit stanzas story style theme things thought tion tradition true turn whole writing written