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While Shakspeare and Spenser,* with song and with fable, Enchanted King Arthur and all round his table.

Now the First of the James'st complained of the heat, And seemed ill at ease on his rickety seat;

It proved, when examined (which made them all stare),
A gunpowder barrel instead of a chair.‡

The First of the Charles's§ was clearing the dishes,
Taking more than his share of the loaves and the fishes,||
Not minding at all what the company said,

When up started Cromwell, and sliced off his head. T

Charles the Second,** enraged at the villanous deed, Tried to turn out Old Cromwell, but could not succeed ; But he mastered young Dick, and then cooled his own wrath In syllabub, trifle, and filigree broth.††

James the Second,‡‡ with looks full of anger and gloom,
Pronounced nothing good but the cookery of Rome ;§§
So begged of King Arthur, his dear royal crony,

To make all the company eat macaroni ;|||||
But Arthur bade Mary an orange present,¶¶

At which James grew queasy, and fled from the tent.
So she placed on his seat honest William,*** her spouse,
And with laurel and olive encircled his brows ;ttt

* In her reign lived many eminent authors, particularly Shakspeare and Spenser.

James the First.

The gunpowder plot, 5th November, 1605.

§ Charles I.

|| Overstrained his prerogative; encroached on the liberties of the people, and on the privileges of parliament. The consequence was a civil war and the loss of his head.

The commonwealth succeeded, at the head of which was Oliver Cromwell. He was succeeded by his son Richard, who was displaced by the restoration of Charles II.

* Charles II.

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SS A bigoted Roman Catholic.

Used violent measures to establish that religion in England. ¶¶ Was obliged to fly the country; and the crown devolved to his daughter Mary, and her husband, William, Prince of Orange. *** William III.

+ His reign was distinguished by foreign victories and domestic prosperity.

Wreath of glory and peace, by young Freedom entwined,* And gave him a key to the lock* of the mind.

Now as Arthur continued the party to scan,

He did not well know what to make of Queen Anne ;†
But Marlborough,‡ he saw, did her credit uplift,

And he heartily laughed at the jokes of Dean Swift.§
Then shook hands with two Georges, who near him were
seated,

Who closed in his left, and the circle completed;
He liked them both well, but he frankly averred,
He expected to prove better pleased with the Third.

PAPER MONEY LYRICS.

[Written in 1825. A few of the Lyrics were published in the Guide newspaper in 1837, and the whole published privately in that year.]

Falstaff.-Master Shallow, I owe you a thousand pound.

Shallow.-Ay, marry, Sir John, which I beseech you to let me have home with me.-SHAKSPEARE.

Perez.-Who's that is cheated? Speak again, thou vision. Cacafogo.-I'll let thee know I am cheated, cheated damnably. BEAUMONT AND FLETCHER.

PREFACE.

THESE "Lyrics" were written in the winter of 1825-26, during the prevalence of an influenza to which the beautiful fabric of papercredit is periodically subject; which is called commercial panic by citizens, financial crisis by politicians, and day of reckoning by the profane; and which affected all promisers to pay in town and country with one of its most violent epidemic visitations in December, 1825. The "Lyrics" shadow out, in their order, the symptoms of the

*

By being the origin of the present form of the English constitution, in the glorious revolution of 1688; and by the life and writings of the philosopher Locke.

+ Anne.

Her general, the Duke of Marlborough, gained several great victories in France.

§ Many eminent literary characters flourished in her time, particularly Swift and Pope.

|| The House of Hanover: George I., George II., George III.

epidemic in its several stages; the infallible nostrums, remedial and preventive, proposed by every variety of that arch class of quacks, who call themselves political economists; the orders, counter-orders, and disorders, at the head of affairs, with respect to joint-stock banks, and the extinction of one-pound notes, inclusive of Scotland, and exclusive of Scotland; till the final patching up of the uncured malady by a series of false palliatives, which only nourished for another eruption the seeds of the original disease. The tabes tacitis concepta medullis has again blazed forth in new varieties of its primitive types-broken promises and bursting bubbles. Persons and things are changed, but the substance is the same; and these little ballads are as applicable now as they were twelve years ago. They will be applicable to every time and place, in which public credulity shall have given temporary support to the safe and economical currency, which consists of a series of paper promises, made with the deliberate purpose, that the promise shall always be a payment, and the payment shall always be a promise.

20 July, 1837.

PAN IN TOWN.*

(Metrum Ithyphallicum cum anacrusi.)

Falstaff.-If any man will caper with me for a thousand marks, let him lend me the money, and have at him.

PAN AND CHORUS OF CITIZENS.

TH

PAN.

HE Country banks are breaking:
The London banks are shaking:
Suspicion is awaking:

E'en quakers now are quaking:
Experience seems to settle,
That paper is not metal,

And promises of payment

Are neither food nor raiment;

Then, since that, one and all, you

Are fellows of no value

For genius, learning, spirit,

Or any kind of merit

*Pan, it may be necessary to tell the citizens, is the author of "Panic Terrors." The Cockney poet, who entitled a poem "The Universal Pan," which began with "Not in the town am I ;" a most original demonstration of his universality; has had a good opportunity, since he wrote that poem, of seeing that Pan can be in town sometimes. Perhaps, according to his Mythology, the Pan in town was the Sylvan Pan; a fashionable arrival for the season.

That mortals call substantial,
Excepting the financial,

(Which means the art of robbing
By huckstering and jobbing,
And sharing gulls and gudgeons
Among muckworms and curmudgeons)
Being each a flimsy funny

On the stream of paper money,
All riding by sheet anchors,
Of balances at Bankers;

Look out for squalls are coming,
That if you stand hum-drumming,
Will burst with vengeance speedy,
And leave you like the needy
Who have felt your clutches greedy,
All beggarly and seedy

And not worth a maravedi.

CHORUS.

Our balances, our balances,
Our balances, our balances:
Our balances we crave for:
Our balances we rave for:
Our balances we rush for:
Our balances we crush for:
Our balances we call for :
Our balances we bawl for:
Our balances we run for:
Our balances we dun for:
Our balances we pour for:
Our balances we roar for:
Our balances we shout for
Our balances we rout for:
Our balances, our balances,
We bellow all about for.

OBADIAH NINE-EYES.*

The mighty men of Gad, yea,

Are all upon the pad, yea,

:

*The Nine-eyes, or Lamprey, is distinguished for its power of suction.

Bellowing with lungs all brazen,
Even like the bulls of Basan;
With carnal noise and shout, yea,
They compass me about, yea;
I am full of tribulation
For the sinful generation;
I shrink from the abiding

Of the wrath of their back-sliding;
Lest my feet should be up-tripp-ed,
And my outward man be stripp-ed,
And my pockets be out-clean-ed
Of the fruits which I have glean-ed.

CHORUS.

Our balances, our balances,
Our balances, our balances,
Pay-pay-pay-pay-
Without delay-

Our balances, our balances.

MAC FUNGUS.

A weel sirs, what's the matter?
An' hegh sirs, what's the clatter?
Ye dinna ken,

Ye seely men.

Y'ur fortunes ne'er were batter.
There's too much population,
An' too much cultivation,
An' too much circulation,
That's a' that ails the nation.
Ye're only out o' halth, sirs,;
Wi' a plathora o' walth, sirs,
Instead of glourin' hither,

Ye'd batter, I conjacture,
Just hoot awa' thegither,

To hear our braw chiel lacture: His ecoonoomic science

Wad silence a' your clanking, An' teach you some reliance,

On the preenciples o' banking.

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