The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 sider |
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Side 21
... accepting presences : authorita- tive figures abound in his poetry , but they are not accepting or ap- proving . Though his poetry shows a desperate need to create scenarios of poetic power and dominance over imagined audiences , it ...
... accepting presences : authorita- tive figures abound in his poetry , but they are not accepting or ap- proving . Though his poetry shows a desperate need to create scenarios of poetic power and dominance over imagined audiences , it ...
Side 97
... accept his place there . Two important changes occur in the demeanor of the Leech - gatherer at the end of " Resolution and Independence , " both of which encourage that acceptance . First , the old man , for the first time in the ...
... accept his place there . Two important changes occur in the demeanor of the Leech - gatherer at the end of " Resolution and Independence , " both of which encourage that acceptance . First , the old man , for the first time in the ...
Side 156
... accept . If indeed we grant that the image of the malevolent and maternal Geraldine lies " in her mind , " then by her behavior Christabel seems to be unknowingly manifesting , or making " real " for that imagined Other a predatory ...
... accept . If indeed we grant that the image of the malevolent and maternal Geraldine lies " in her mind , " then by her behavior Christabel seems to be unknowingly manifesting , or making " real " for that imagined Other a predatory ...
Innhold
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Opphavsrett | |
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The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 1999 |
Vanlige uttrykk og setninger
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes