The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 sider |
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Side 160
... desire , but to free his poetry from the impulse toward imaginative self - indul- gence , and thus to free the poet in him to shape the visions of desire with a godlike control and deliberation . In the gaze of Moneta he quite ...
... desire , but to free his poetry from the impulse toward imaginative self - indul- gence , and thus to free the poet in him to shape the visions of desire with a godlike control and deliberation . In the gaze of Moneta he quite ...
Side 221
... desire to understand those principles of an object's design that contribute to its aesthetic effect is the desire of the artist , not just the philosopher or critic of taste . It is the aim of the artist , not only as passive aesthete ...
... desire to understand those principles of an object's design that contribute to its aesthetic effect is the desire of the artist , not just the philosopher or critic of taste . It is the aim of the artist , not only as passive aesthete ...
Side 252
... desire is to be recognized by the ' other . ' " The first object of desire is , by this definition , defeated in the " Elegy . " 10. The Letters of John Keats , 1814-1821 , ed . Hyder Edward Rollins , 2nd ed . , 2 vols ( Cambridge ...
... desire is to be recognized by the ' other . ' " The first object of desire is , by this definition , defeated in the " Elegy . " 10. The Letters of John Keats , 1814-1821 , ed . Hyder Edward Rollins , 2nd ed . , 2 vols ( Cambridge ...
Innhold
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
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The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 1999 |
Vanlige uttrykk og setninger
Agnes appears assume audience awareness beauty become body Bostetter character Christabel Coleridge Coleridge's consciousness conversation poems Cumberland beggar Descartes divine Dorothy Elegy embodied ence epic Eve of St experience eyes Fall of Hyperion fear feel Frost at Midnight gaze Geraldine Gray's heart human Hyperion ideal identity imagination John Keats Keats's Kubla Khan Lamia Leech-gatherer letter lines living look lover Ludolph Lycius Lyrical Ballads Madeline Madeline's Mariner's mesmeric mind Moneta moon mortal Nature Nightingale object observes Otho perceived perception person philosophical play poet poet's poetic poetry Porphyro Prelude presence R. D. Laing reader real presence reality recognition role Samuel Taylor Coleridge seems self-consciousness sense Simon Lee solipsistic soul Spirit stanza symbol theater theatrical things thou thought Tintern Abbey tion true truth turn vision visionary solipsism waking dream Walter Jackson Bate William Wordsworth words Wordsworth writes