The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 sider |
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Side 158
... eyes on her : when " the Knight turned wildly round " at the sound of Christabel's hissing breath , he " nothing saw , but his own sweet maid / With eyes upraised , as one that prayed " ( 460-462 ) . Whether true or false , the " real ...
... eyes on her : when " the Knight turned wildly round " at the sound of Christabel's hissing breath , he " nothing saw , but his own sweet maid / With eyes upraised , as one that prayed " ( 460-462 ) . Whether true or false , the " real ...
Side 214
... eyes and presence are acknowledged by the dreamers and whose are ignored . " Ah , Goddess , " Lycius tells the ser- pent - woman who has beguiled him on the road to Corinth , " see / Whether my eyes can ever turn from thee ! / For pity ...
... eyes and presence are acknowledged by the dreamers and whose are ignored . " Ah , Goddess , " Lycius tells the ser- pent - woman who has beguiled him on the road to Corinth , " see / Whether my eyes can ever turn from thee ! / For pity ...
Side 216
... eyes are " bent " acknowledges him , accepts his presence and his alone . The moment that the nymph felt the warmth of the god's hand , " her eyelids open'd bland , " and the " new flowers " of her eyes " bloom'd " and gave up their ...
... eyes are " bent " acknowledges him , accepts his presence and his alone . The moment that the nymph felt the warmth of the god's hand , " her eyelids open'd bland , " and the " new flowers " of her eyes " bloom'd " and gave up their ...
Innhold
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
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The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 1999 |
Vanlige uttrykk og setninger
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes