The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 sider |
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Side 169
... play . The main difference between Keats's earlier and later experiences of public life is that the later Keats cannot maintain that " willing suspension of disbelief " necessary for dramatic realization of the scene and a complementary ...
... play . The main difference between Keats's earlier and later experiences of public life is that the later Keats cannot maintain that " willing suspension of disbelief " necessary for dramatic realization of the scene and a complementary ...
Side 206
... play , and they do not hesitate to point up the fictitious basis of the ephemera in which they participate . The sources of their own self - certainty lie within . Otho the Great , Keats's only play , is contemporaneous with Lamia and ...
... play , and they do not hesitate to point up the fictitious basis of the ephemera in which they participate . The sources of their own self - certainty lie within . Otho the Great , Keats's only play , is contemporaneous with Lamia and ...
Side 210
... play along with the other characters to satisfy the audience's expectations : he will not " personate " someone like Tam- bourlaine , a " stage - play emperor , " because he will not follow an- other's script . He knows himself to be ...
... play along with the other characters to satisfy the audience's expectations : he will not " personate " someone like Tam- bourlaine , a " stage - play emperor , " because he will not follow an- other's script . He knows himself to be ...
Innhold
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
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The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 1999 |
Vanlige uttrykk og setninger
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes