The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 sider |
Inni boken
Resultat 1-3 av 91
Side 68
... Poet ? To whom does he address himself ? And what language is to be expected from him ? He is a man speaking to men ... poet's spiritual or mental faculties ( a state of mind , open not to judgment , but only to empathy or dispathy ) ...
... Poet ? To whom does he address himself ? And what language is to be expected from him ? He is a man speaking to men ... poet's spiritual or mental faculties ( a state of mind , open not to judgment , but only to empathy or dispathy ) ...
Side 81
... poet he had always been meant to be , not the poet others expected him to be . The Lyrical Ballads of 1798 , with the " Advertisement " of the poet's intentions , was the result . Here , as the later " Preface " of 1800 asserts , was a ...
... poet he had always been meant to be , not the poet others expected him to be . The Lyrical Ballads of 1798 , with the " Advertisement " of the poet's intentions , was the result . Here , as the later " Preface " of 1800 asserts , was a ...
Side 114
... poet's self - embodi- ment . Particularly in " Frost at Midnight " and " This Lime - Tree Bower My Prison , " recognition of the poet's power to transform the “ inanimate , cold world " is , instead , implied by others ' presumed as ...
... poet's self - embodi- ment . Particularly in " Frost at Midnight " and " This Lime - Tree Bower My Prison , " recognition of the poet's power to transform the “ inanimate , cold world " is , instead , implied by others ' presumed as ...
Innhold
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Opphavsrett | |
3 andre deler vises ikke
Andre utgaver - Vis alle
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 1999 |
Vanlige uttrykk og setninger
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes