The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 sider |
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Side 57
... shape ... clothed in military garb " ( 398 ) , like a manikin . In the soldier , then , consciousness must be inferred . A Cartesian judgment must be exercised . For the moment , the soldier is merely a “ desolation , a simplicity ...
... shape ... clothed in military garb " ( 398 ) , like a manikin . In the soldier , then , consciousness must be inferred . A Cartesian judgment must be exercised . For the moment , the soldier is merely a “ desolation , a simplicity ...
Side 61
... shape , " but a " patient man , " who " touched his hat ... with his lean hand . " The shape is finally invested with a personality , with will and sensibility . His voice falters , betraying emotion , and his " tone " of voice suggests ...
... shape , " but a " patient man , " who " touched his hat ... with his lean hand . " The shape is finally invested with a personality , with will and sensibility . His voice falters , betraying emotion , and his " tone " of voice suggests ...
Side 167
... shape your joy or your sorrow would take , I know the manner of you [ r ] walking , standing , sauntering , sitting down , laughing , punning , and eve [ r ] y action so truly that you seem near to me . ( II , 5 ) Here Keats ...
... shape your joy or your sorrow would take , I know the manner of you [ r ] walking , standing , sauntering , sitting down , laughing , punning , and eve [ r ] y action so truly that you seem near to me . ( II , 5 ) Here Keats ...
Innhold
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Opphavsrett | |
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The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 1999 |
Vanlige uttrykk og setninger
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes