The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 sider |
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Side 74
... speak now for France was to become a traitor to his country . Yet not to speak was to betray the true self which , alone in the crowd , looked forward to the " day of vengeance " that would vindicate it . How easily that self , once ...
... speak now for France was to become a traitor to his country . Yet not to speak was to betray the true self which , alone in the crowd , looked forward to the " day of vengeance " that would vindicate it . How easily that self , once ...
Side 122
... speaking , " moulding " and prophetic power of creation , mediately addressing , through the world he utters , one who ... speak as a disembodied presence . As Bate and others agree , the movement of mind from self to a compan- ionable ...
... speaking , " moulding " and prophetic power of creation , mediately addressing , through the world he utters , one who ... speak as a disembodied presence . As Bate and others agree , the movement of mind from self to a compan- ionable ...
Side 254
... speaking to men " ( Prose Works of Wordsworth , I , 138 ) . 26. René Descartes , Philosophical Works , trans ... speak so intermingled with " his body that he seems " to compose with it one whole . " But he rejects this sense of ...
... speaking to men " ( Prose Works of Wordsworth , I , 138 ) . 26. René Descartes , Philosophical Works , trans ... speak so intermingled with " his body that he seems " to compose with it one whole . " But he rejects this sense of ...
Innhold
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
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The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 1999 |
Vanlige uttrykk og setninger
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes