The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - 286 sider |
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Side 191
... theatrical personality . Three levels of " reality " can be distinguished in the class of " ethe- real " —or ... theatrical effect , it becomes a " Nothing ... made Great and digni- fied by an ardent pursuit . " The stage machinery shows ...
... theatrical personality . Three levels of " reality " can be distinguished in the class of " ethe- real " —or ... theatrical effect , it becomes a " Nothing ... made Great and digni- fied by an ardent pursuit . " The stage machinery shows ...
Side 206
... theatrical " fantasies of Lycius and Ludolph . Rather than seek unqualified endorsements of their identi- ties from others , such personalities , like Keats's “ etherial " heroes Howard or Hooker , defy or refute public opinion and , by ...
... theatrical " fantasies of Lycius and Ludolph . Rather than seek unqualified endorsements of their identi- ties from others , such personalities , like Keats's “ etherial " heroes Howard or Hooker , defy or refute public opinion and , by ...
Side 224
... theatrical spectators , in what we see . What we find happening to Keats , then , between the writing of " St. Agnes " and of Lamia is a growth in critical or " philosophical " detachment from his own theatrical representations . In the ...
... theatrical spectators , in what we see . What we find happening to Keats , then , between the writing of " St. Agnes " and of Lamia is a growth in critical or " philosophical " detachment from his own theatrical representations . In the ...
Innhold
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Opphavsrett | |
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The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Ingen forhåndsvisning tilgjengelig - 1999 |
Vanlige uttrykk og setninger
Agnes appears assume audience awareness beauty become body Bostetter character Christabel Coleridge Coleridge's consciousness conversation poems Cumberland beggar Descartes divine Dorothy Elegy embodied ence epic Eve of St experience eyes Fall of Hyperion fear feel Frost at Midnight gaze Geraldine Gray's heart human Hyperion ideal identity imagination John Keats Keats's Kubla Khan Lamia Leech-gatherer letter lines living look lover Ludolph Lycius Lyrical Ballads Madeline Madeline's Mariner's mesmeric mind Moneta moon mortal Nature Nightingale object observes Otho perceived perception person philosophical play poet poet's poetic poetry Porphyro Prelude presence R. D. Laing reader real presence reality recognition role Samuel Taylor Coleridge seems self-consciousness sense Simon Lee solipsistic soul Spirit stanza symbol theater theatrical things thou thought Tintern Abbey tion true truth turn vision visionary solipsism waking dream Walter Jackson Bate William Wordsworth words Wordsworth writes