Lucian's Dialogues: Namely the Dialogues of the Gods, of the Sea-gods, and of the Dead; Zeus the Tragedian, the Ferry-boat, EtcG. Bell and sons, 1888 - 315 sider |
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Side xviii
... The Philopatris ( in which satirical allusion is made to the visions of St. Paul ) is assigned to the year 363 , the date of the Emperor Julian's Persian expedition . Cf. Philopseudes , 16 . ( " Praise of Folly " ) , and , xviii PREFACE .
... The Philopatris ( in which satirical allusion is made to the visions of St. Paul ) is assigned to the year 363 , the date of the Emperor Julian's Persian expedition . Cf. Philopseudes , 16 . ( " Praise of Folly " ) , and , xviii PREFACE .
Side 82
... Persians . Iphianassa , as a Greek divinity , naturally speaks as a Greek woman . Tápog . This term was especially applied to the wedding supper ( for the feast always took place at night ) which , with the Greeks , was the sole witness ...
... Persians . Iphianassa , as a Greek divinity , naturally speaks as a Greek woman . Tápog . This term was especially applied to the wedding supper ( for the feast always took place at night ) which , with the Greeks , was the sole witness ...
Side 113
... Persians . Diogenes . What are these possessions you speak of ? Krates . Wisdom , self - sufficiency , truth , plain - speaking , freedom . Diogenes . By my faith , yes . I remember also , that , having received this wealth in ...
... Persians . Diogenes . What are these possessions you speak of ? Krates . Wisdom , self - sufficiency , truth , plain - speaking , freedom . Diogenes . By my faith , yes . I remember also , that , having received this wealth in ...
Side 117
... Persian Empire him- self . Demosthenes publicly stigmatized him as the λῃστης τῶν Ἑλλήνων ( Þ . iv . ) , just as , in later times , there were some who characterized the Roman generals and armies as " latrones , communisque omnium liber ...
... Persian Empire him- self . Demosthenes publicly stigmatized him as the λῃστης τῶν Ἑλλήνων ( Þ . iv . ) , just as , in later times , there were some who characterized the Roman generals and armies as " latrones , communisque omnium liber ...
Side 119
... Persian monarchy . Scipio does not figure in this scene ; and it is a curious fact that no Roman is admitted into Lucian's Elysium . By Livy ( xxxv . 14 ) Hannibal is represented as much more modest than he appears in this Dialogue ...
... Persian monarchy . Scipio does not figure in this scene ; and it is a curious fact that no Roman is admitted into Lucian's Elysium . By Livy ( xxxv . 14 ) Hannibal is represented as much more modest than he appears in this Dialogue ...
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Lucian's Dialogues: Namely the Dialogues of the Gods, of the Sea-gods, and ... Lucian (of Samosata.) Uten tilgangsbegrensning - 1893 |
Lucian's Dialogues: Namely, The Dialogues of the Gods, of the Sea-gods, & of ... Lucian (of Samosata.) Uten tilgangsbegrensning - 1888 |
Lucian's Dialogues: Namely the Dialogues of the Gods, of the Sea-gods, and ... Lucian (of Samosata.) Uten tilgangsbegrensning - 1907 |
Vanlige uttrykk og setninger
Achilleus Alexander altogether Antisthenes Aphrodite Apollo appear Aristoph Athena Athenian beautiful Charon Cynic Cyniskus Damis dead death Destiny Dialogue Diogenes Dionysus divine Eakus Earth Eros Euripides everything fact famous Fates father fellow Ganymedes ghost give Goddess Gods gold Greek Hades handsome hear heaven Hellenic Hephæstus Hera Herakles Hermes hero Herod Hesiod Homer honour Jacobitz Jupiter Kerberus king Klotho Krates Kroesus Laert Lampichus laugh live Lucian means Megapenthes Menelaus Menippus Metam Mikyllus Minos Momus Nireus Notus Odysseus oracles oracular Paris parody Pausanias Persian philosophers Phrygian Plato Plutarch Pluto poet Polydeukes Polystratus Portrait Poseidon pray prophet Protesilaus punishment Rhadamanthys ridicule sacrifices satire ship Simylus Sokrates sort Sostratus speak suppose Tantalus Teiresias tell Terpsion Thetis things Timokles tion tomb Trans Triton verses viii vols Wieland youth Zephyrus Zeus γὰρ δὲ ἐν Ζεὺς καὶ Περὶ τε
Populære avsnitt
Side 288 - CICERO'S Orations. Trans, by CD Yonge, BA 4 vols. On Oratory and Orators. With Letters to Quintus and Brutus. Trans., with Notes, by Rev. JS Watson, MA On the Nature of the Gods, Divination, Fate, Laws, a. Republic, Consulship. Trans., with Notes, by CD Yonge, BA Academics, De Finibus, and Tusculan Questions.
Side 291 - CHEVREUL on Colour. Containing the Principles of Harmony and Contrast of Colours, and their Application to the Arts ; including Painting, Decoration, Tapestries, Carpets, Mosaics, Glazing, Staining, Calico Printing, Letterpress Printing, Map Colouring, Dress, Landscape and Flower Gardening, &c.
Side 284 - Works. Containing Topography of Ireland, and History of the Conquest of Ireland, by Th. Forester, MA Itinerary through Wales, and Description of Wales, by Sir R.
Side 281 - SMYTH'S (Professor) Lectures on Modern History; from the Irruption of the Northern Nations to the close of the American Revolution.
Side 292 - URE'S (Dr. A.) Cotton Manufacture of Great Britain, systematically investigated ; with an Introductory View of its Comparative State in Foreign Countries. Revised by PL Simmonds.
Side 290 - Chalmers on the Adaptation of External Nature to the Moral and Intellectual Constitution of Man. With Memoir by Rev. Dr.
Side 235 - When that this body did contain a spirit, A kingdom for it was too small a bound; But now two paces of the vilest earth Is room enough.
Side 281 - STURM'S Morning Communings with God, or Devotional Meditations for Every Day. Trans, by W. Johnstone, MA SULLY. Memoirs of the Duke of, Prime Minister to Henry the Great. With Notes and Historical Introduction. 4 Portraits. 4 vols. TAYLOR'S (Bishop Jeremy) Holy Living and Dying, with Prayers, containing the Whole Duty of a Christian and the parts of Devotion fitted to all Occasions. Portrait. TEN BRINK.— Sec Brink.
Side 288 - Longus, and Achilles Tatius : viz., The Adventures of Theagenes and Chariclea ; Amours of Daphnis and Chloe ; and Loves of Clitopho and Leucippe. Trans., with Notes, by Rev.
Side 279 - LANZI'S History of Painting In Italy, from the Period of the Revival of the Fine Arts to the End of the i8th Century.