Lectures on General Literature, Poetry, &c., Delivered at the Royal Institution in 1830 and 1831Harper & Bros., 1860 - 324 sider |
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Side 11
... feel as though he were holding converse with a spirit ; this is the art of Nature herself , invariably and perpetually pleasing , by a secret and undefinable charm , which lives through all her works , and causes the very stones , as ...
... feel as though he were holding converse with a spirit ; this is the art of Nature herself , invariably and perpetually pleasing , by a secret and undefinable charm , which lives through all her works , and causes the very stones , as ...
Side 12
... feel , to see , to think- almost to be what the poet felt , saw , thought , and was while he was conceiving and composing his work . And this theory is confirmed by the fact , that though original genius is wonderfully aided in its ...
... feel , to see , to think- almost to be what the poet felt , saw , thought , and was while he was conceiving and composing his work . And this theory is confirmed by the fact , that though original genius is wonderfully aided in its ...
Side 13
... feels himself carried away by the im petuosity of that " adventurous song , That with no middle flight intends to soar Above the Aconian mount : " and experiences full proof of the poet's power to accomplish his purpose , so ...
... feels himself carried away by the im petuosity of that " adventurous song , That with no middle flight intends to soar Above the Aconian mount : " and experiences full proof of the poet's power to accomplish his purpose , so ...
Side 17
... feeling , producing its great- est effects at the last . Painting begins precisely where poetry breaks off , with the climax of the subject , and lets down the mind from the catas- trophe through the details of the story , impercepti ...
... feeling , producing its great- est effects at the last . Painting begins precisely where poetry breaks off , with the climax of the subject , and lets down the mind from the catas- trophe through the details of the story , impercepti ...
Side 21
... feel- ings , imaginations , affections , all that memory can preserve of things past , and all that prescience can conceive or forbode of things to come . These it can express , minutely or comprehensively , in mass or in detail ...
... feel- ings , imaginations , affections , all that memory can preserve of things past , and all that prescience can conceive or forbode of things to come . These it can express , minutely or comprehensively , in mass or in detail ...
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Lectures on General Literature, Poetry, &c: Delivered at the Royal ... James Montgomery Uten tilgangsbegrensning - 1836 |
Lectures on General Literature, Poetry, &c: Delivered at the Royal ... James Montgomery Uten tilgangsbegrensning - 1840 |
Lectures on General Literature, Poetry, &c: Delivered at the Royal ... James Montgomery Uten tilgangsbegrensning - 1855 |
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admiration affecting amid ancient beauty blank verse character circumstances colour composition death delight diction Dryden earth Egyptians eloquence employed English equally excellence exquisite Faerie Queene fancy feel genius glory Greece Greek hand harmony heart heaven Henry Kirke White hieroglyphics Homer honour human ideas Iliad images imagination immortality invention Joanna Baillie kind labours Lamech language latter learning less lines literature living Lord Lord Byron ment metre Milton mind modern moral nature never once original painting Paradise Lost passage passions peculiar perfect perpetual Pisistratus pleonasm poem poet poetical poetry present prose reader rhyme Robert Burns Roman Rome Saracens scarcely scene sculpture sentiments Sir Walter Scott song soul sound Spenserian stanza spirit splendour stanzas stars strains style sublime syllables taste thee theme things thou thought tion tongue touch truth uncon verse Virgil whole words writing