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Games of
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and the two most probable conjectures represent the various accidents of its decay. These stones were connected by solid links of brass or iron, nor had the eye of rapine overlooked the value of the baser metals: the vacant space was converted into a fair or market; the artisans of the Coliseum are mentioned in an ancient survey; and the chasms were perforated or enlarged, to receive the poles that supported the shops or tents of the mechanic trades.61 Reduced to its naked majesty, the Flavian amphitheatre was contemplated with awe and admiration by the pilgrims of the North; and their rude enthusiasm broke forth in a sublime proverbial expression, which is recorded in the eighth century, in the fragments of the venerable Bede: "As long as the Coliseum stands, Rome shall stand; when the Coliseum falls, Rome will fall; when Rome falls, the world will fall".62 In the modern system of war, a situation commanded by three hills would not be chosen for a fortress; but the strength of the walls and arches could resist the engines of assault; a numerous garrison might be lodged in the enclosure; and, while one faction occupied the Vatican and the Capitol, the other was intrenched in the Lateran and the Coliseum.63

The abolition at Rome of the ancient games must be understood with some latitude; and the carnival sports of the Testacean Mount and the Circus Agonalis were regulated by the law 65

60 Joseph Maria Suarés, a learned bishop, and the author of an history of Præneste, has composed a separate dissertation on the seven or eight probable causes of these holes, which has been since reprinted in the Roman Thesaurus of Sallengre. Montfaucon (Diarium, p. 233) pronounces the rapine of the barbarians to be the unam germanamque causam foraminum. [The travertine blocks were connected by iron clamps, run with lead; and the holes, as the author says, are due to the removal of these clamps in the Middle Ages. Cp. Middleton, Remains of Ancient Rome, ii. 87 note.]

61 Donatus, Roma Vetus et Nova, p. 285.

62 Quamdiu stabit Colyseus, stabit et Roma; quando cadet Colyseus, cadet Roma; quando cadet Roma, cadet et mundus (Beda in Excerptis seu Collectaneis apud Ducange Glossar. med. et infimæ Latinitatis, tom. ii. p. 407, edit. Basil). This saying must be ascribed to the Anglo-Saxon pilgrims who visited Rome before the year 735, the era of Bede's death; for I do not believe that our venerable monk ever passed the sea.

63 I cannot recover, in Muratori's original Lives of the Popes (Script. Rerum Italicarum, tom. iii. p. i.), the passage that attests this hostile partition, which must be applied to the end of the xith or the beginning of the xiith century.

64 Although the structure of the Circus Agonalis be destroyed, it still retains its form and name (Agona, [in Agona], Nagona, Navona): and the interior space affords a sufficient level for the purpose of racing. But the Monte Testaceo, that strange pile of broken pottery, seems only adapted for the annual practice of hurling from top to bottom some waggon-loads of live hogs for the diversion of the populace (Statuta Urbis Romæ, p. 186).

65 See the Statuta Urbis Romæ, l. iii. c. 87, 88, 89, p. 185, 186. I have already given an idea of this municipal code. The races of Nagona and Monte Testaceo

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feast in the A.D. 1332,

or custom of the city. The senator presided with dignity and pomp to adjudge and distribute the prizes, the gold ring, or the pallium, as it was styled, of cloth or silk. A tribute on the Jews supplied the annual expense; 67 and the races, on foot, on horseback, or in chariots, were ennobled by a tilt and tournament of seventy-two of the Roman youth. In the year one thousand three hundred and thirty-two, a bull-feast, after the fashion of a bullthe Moors and Spaniards, was celebrated in the Coliseum itself; Coliseum, and the living manners are painted in a diary of the times." A Sept. 3 convenient order of benches was restored; and a general proclamation, as far as Rimini and Ravenna, invited the nobles to exercise their skill and courage in this perilous adventure. The Roman ladies were marshalled in three squadrons, and seated in three balconies, which on this day, the third of September, were lined with scarlet cloth. The fair Jacova di Rovere led the matrons from beyond the Tiber, a pure and native race, who still represent the features and character of antiquity. The remainder of the city was divided, as usual, between the Colonna and Ursini; the two factions were proud of the number and beauty of their female bands: the charms of Savella Ursini are mentioned with praise; and the Colonna regretted the absence of the youngest of their house, who had sprained her ankle in the garden of Nero's tower. The lots of the champions were drawn by an old and respectable citizen; and they descended into the arena or pit, to encounter the wild bulls on foot, as it should seem, with a single spear. Amidst the crowd, our annalist has selected the names, colours, and devices, of twenty of the most conspicuous knights. Several of the names are the most illustrious of Rome and the ecclesiastical state; Malatesta, Polenta, della Valle, Cafarello, Savelli, Capoccio, Conti, Anniare likewise mentioned in the Diary of Peter Antonius, from 1404 to 1417 (Muratori, Script. Rerum Italicarum, tom. xxiv. p. 1124).

66 The Pallium, which Menage so foolishly derives from Palmarium, is an extension of the idea and the words from the robe or cloak to the materials, and from thence to their application as a prize (Muratori, dissert. xxxiii.).

67 For these expenses, the Jews of Rome paid each year 1130 florins, of which the odd thirty represented the pieces of silver for which Judas had betrayed his master to their ancestors. There was a foot-race of Jewish as well as of Christian youths (Statuta Urbis, ibidem).

68 This extraordinary bull-feast in the Coliseum is described, from tradition rather than memory, by Ludovico Buonconte Monaldesco, in the most ancient fragments of Roman annals (Muratori, Script. Rerum Italicarum, tom. xii. p. 525, 536); and, however fanciful they may seem, they are deeply marked with the colours of truth and nature.

Injuries,

baldi, Altieri, Corsi; the colours were adapted to their taste and situation; the devices are expressive of hope or despair, and breathe the spirit of gallantry and arms. "I am alone like the youngest of the Horatii," the confidence of an intrepid stranger; "I live disconsolate," a weeping widower; "I burn under the ashes," a discreet lover; "I adore Lavinia, or Lucretia," the ambiguous declaration of a modern passion; "My faith is as pure,' the motto of a white livery; "Who is stronger than myself?" of a lion's hide; "If I am drowned in blood, what a pleasant death!" the wish of ferocious courage. The pride or prudence of the Ursini restrained them from the field, which was occupied by three of their hereditary rivals, whose inscriptions denoted the lofty greatness of the Colonna name: "Though sad, I am strong; ""Strong as I am great;" "If I fall," addressing himself to the spectators, "you fall with me;"-intimating (says the contemporary writer) that, while the other families were the subjects of the Vatican, they alone were the supporters of the Capitol. The combats of the amphitheatre were dangerous and bloody. Every champion successively encountered a wild bull; and the victory may be ascribed to the quadrupeds, since no more than eleven were left on the field, with the loss of nine wounded, and eighteen killed, on the side of their adversaries. Some of the noblest families might mourn, but the pomp of the funerals, in the churches of St. John Lateran and Sta. Maria Maggiore, afforded a second holiday to the people. Doubtless it was not in such conflicts that the blood of the Romans should have been shed; yet, in blaming their rashness, we are compelled to applaud their gallantry; and the noble volunteers, who display their magnificence and risk their lives under the balconies of the fair, excite a more generous sympathy than the thousands of captives and malefactors who were reluctantly dragged to the scene of slaughter.69

This use of the amphitheatre was a rare, perhaps a singular, festival: the demand for the materials was a daily and continual want, which the citizens could gratify without restraint or remorse. In the fourteenth century, a scandalous act of concord secured to both factions the privilege of extracting stones from the free and common quarry of the Coliseum; 70 and Poggius

69 Muratori has given a separate dissertation (the xxixth) to the games of the Italians in the middle ages.

70 In a concise but instructive memoir, the Abbé Barthélemy (Mémoires de

laments that the greater part of these stones had been burnt to lime by the folly of the Romans." To check this abuse, and to prevent the nocturnal crimes that might be perpetrated in the vast and gloomy recess, Eugenius the Fourth surrounded it with a wall; and, by a charter long extant, granted both the ground and edifice to the monks of an adjacent convent.72 After his death, the wall was overthrown in a tumult of the people; and, had they themselves respected the noblest monument of their fathers, they might have justified the resolve that it should never be degraded to private property. The inside was damaged; but, in the middle of the sixteenth century, an æra of taste and learning, the exterior circumference of one thousand six hundred and twelve feet was still entire and inviolate; a triple elevation of fourscore arches, which rose to the height of one hundred and eight feet. Of the present ruin the nephews of Paul the Third are the guilty agents; and every traveller who views the Farnese palace may curse the sacrilege and luxury of these upstart princes.73 A similar reproach is applied to the Barberini; and the repetition of injury might be dreaded from every reign, till the Coliseum was placed under the safeguard of and consereligion by the most liberal of the pontiffs, Benedict the Four- the Coliteenth, who consecrated a spot which persecution and fable had stained with the blood of so many Christian martyrs.74

l'Académie des Inscriptions, tom. xxviii. p. 585) has mentioned this agreement of the factions of the xivth century de Tiburtino faciendo in the Coliseum, from an original act in the archives of Rome.

71 Coliseum . . . ob stultitiam Romanorum majori ex parte ad calcem deletum, says the indignant Poggius (p. 17): but his expression, too strong for the present age, must be very tenderly applied to the xvth century. [It may be inferred with tolerable certainty that the chief injury which the shell of the Coliseum sustained, the falling of the whole western half towards the Calian Hill, happened in the great earthquake of A.D. 1348. These ruins were then freely used as a quarry. Cp. Lanciani, Ruins and Excavations, p. 375-6. In A.D. 1386 the senate and people gave one-third of the Coliseum to the Compagnia del Salvatore ad Sancta Sanctorum.]

72 Of the Olivetan monks. Montfaucon (p. 142) affirms this fact from the memorials of Flaminius Vacca (No. 72). They still hoped, on some future occasion, to revive and vindicate their grant.

73 After measuring the priscus amphitheatri gyrus, Montfaucon (p. 142) only adds that it was entire under Paul III.; tacendo clamat. Muratori (Annali d'Italia, tom. xiv. p. 371) more freely reports the guilt of the Farnese Pope and the indignation of the Roman people. Against the nephews of Urban VIII. I have no other evidence than the vulgar saying, Quod non fecerunt Barbari, fecere Barbarini," which was perhaps suggested by the resemblance of the words. [The spelling Barbarini here is intentional and should not be changed.]

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74 As an antiquarian and a priest, Montfaucon thus deprecates the ruin of the Coliseum; Quod si non suopte merito atque pulchritudine dignum fuisset quod

cration of

seum

Ignorance

and bar

the Ro

mans

When Petrarch first gratified his eyes with a view of those barism of monuments whose scattered fragments so far surpass the most eloquent descriptions, he was astonished at the supine indifference 75 of the Romans themselves; 76 he was humbled rather than elated by the discovery that, except his friend Rienzi and one of the Colonna, a stranger of the Rhône was more conversant with these antiquities than the nobles and natives of the metropolis.77 The ignorance and credulity of the Romans are elaborately displayed in the old survey of the city, which was composed about the beginning of the thirteenth century; and, without dwelling on the manifold errors of name and place, the legend of the Capitol 78 may provoke a smile of contempt and indignation. "The Capitol," says the anonymous writer, "is so named as being the head of the world; where the consuls and senators formerly resided for the government of the city and the globe. The strong and lofty walls were covered with glass and gold, and crowned with a roof of the richest and most curious carving. Below the citadel stood a palace, of gold for the greatest part, decorated with precious stones, and whose value might be estimated at one third of the world itself. The statues of all the provinces were arranged in order, each with a small bell suspended from its neck; and such was the contrivance of art magic 79

improbas arceret manus, indigna res utique in locum tot martyrum cruore sacrum tantopere sævitum esse.

75 Yet the Statutes of Rome (1. iii. c. 81, p. 182) impose a fine of 500 aurei on whosoever shall demolish any ancient edifice, ne ruinis civitas deformetur, et ut antiqua ædificia decorem urbis perpetuo representent.

76 In his first visit to Rome (A.D. 1337; see Mémoires sur Pétrarque, tom. i. p. 322, &c.), Petrarch is struck mute miraculo rerum tantarum, et stuporis mole obrutus. Præsentia vero, mirum dictu, nihil imminuit: vere major fuit Roma majoresque sunt reliquiæ quam rebar. Jam non orbem ab hâc urbe domitum, sed tam sero domitum, miror (Opp. p. 605; Familiares, ii. 14; Joanni Columnæ). 77 He excepts and praises the rare knowledge of John Colonna. Qui enim hodie magis ignari rerum Romanarum, quam Romani cives? Invitus dico, nusquam minus Roma cognoscitur quam Romæ.

78 After the description of the Capitol, he adds, statuæ erant quot sunt mundi provinciæ; et habebat quælibet tintinnabulum ad collum. Et erant ita per magicam artem dispositæ, ut quando aliqua regio Romano Imperio rebellis erat, statim imago illius provincia vertebat se contra illam; unde tintinnabulum resonabat quod pendebat ad collum; tuncque vates Capitolii qui erant custodes senatui, &c. He mentions an example of the Saxons and Suevi, who, after they had been subdued by Agrippa, again rebelled; tintinnabulum sonuit; sacerdos qui erat in speculo in hebdomadâ senatoribus nuntiavit; Agrippa marched back and reduced the Persians (Anonym. in Montfaucon, p. 297, 298).

79 The same writer affirms that Virgil captus a Romanis invisibiliter exiit ivitque Neapolim. A Roman magician, in the xith century, is introduced by William of Malmesbury (de Gestis Regum Anglorum, l. ii. p. 86); and in the time of Flaminus Vacca (No. 81, 103) it was the vulgar belief that the strangers (the Goths) invoked the dæmons for the discovery of hidden treasures.

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