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ILLUSTRATIONS

(SELECTED BY 0. M. DALTON, M.A., F.S.A.)

MEDAL OF MAHOMET (MOHAMMED) II. by Costanzo (fl. about 1480).

In the collection of Henry Oppenheimer, Esq.

Frontispiece

VIEW OF BROUSSA (Prusa) in Anatolia, showing the mosque of Sultan Murad
II. (1421-1451), which has evident Byzantine affinities

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From a Photograph by Sébah and Joaillier. PORTRAIT OF A MONGOLIAN personage conjecturally described as Timur, from a Persian MS. of the late 16th century, in the collection of the late Mr. J. Pierpont Morgan. (See Man, published by the Royal Anthropological Institute of Great Britain and Ireland, 1907, p. 135) ... THE GUR AMIR, or Tomb of Timur, at Samarcand (A.D. 1405). Within this building the remains of the Conqueror lie under a huge block of jade From The Heart of Asia, by F. H. Skrine and E. Denison Ross, 1899.

MEDAL OF JOHN PALAEOLOGUS, by Pisanello

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LATE BYZANTINE ART: panel painting, perhaps of the 14th century, represent

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MISTRA, in the Morea; general view, showing the Byzantine, town
From a Photograph by M. G. Millet, in the Collection des Hautes Études,
Sorbonne, Paris.

MISTRA; Church of the Evangelistria; 14th century

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From a Photograph by M. G. Millet; Collection des Hautes Études, Sor-
bonne, Paris.

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SCANDERBEG; from the early portrait which serves as frontispiece to M. Bar-
letius, De vita, moribus ac rebus praecipue adversus Turcos gestis,
Georgii Castrioti clarissimi Epirotarum principis libri tredecim.
Strasburg, 1537
CASTLE OF RUMILI HISSAR on the Bosphorus, built by Mahomet II. in 1452
From a Photograph by Sébah and Joaillier.
VIEW OF CONSTANTINOPLE from the Nuremberg Chronicle of 1493, by Hartmann
Schedel. For earlier maps of the Buondelmontius series, see the refer-
ences given by A. Van Millingen, Byzantine Churches in Constanti-
nople, Note opposite frontispiece; and cf. E. Oberhummer, Konstan-
tinopel unter Suleiman dem Grossen aufgenommen im Jahre 1559
durch Melchior Lorichs, pp. 18 ff.; Munich, 1902
GRANT BY MAHOMET II. TO THE GENOESE. The photo shows the top and
bottom of the document, which forms a narrow roll. The grant is the
origin of the "Capitulations" regulating the position of foreign residents,

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and was written in Greek the week after the capture of Constantinople.
At the top is the Sultan's monogram; at the bottom the signature of the
Vizier

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Egerton MS. 2817, British Museum.

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LATE BYZANTINE ART; part of a fresco in the Church of the Peribleptos at
Mistra, showing an angel and St. Chrysostom

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From a Photograph by M. G. Millet, in the Collection des Hautes Études,
Sorbonne, Paris.

MOSQUE OF SULTAN SELIM at Constantinople

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From a Photograph by Sébah and Joaillier.

MEDIAEVAL ROME; cloisters of the Lateran, early 13th century, the work of Vassallettus

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MEDIAEVAL ROME; the Tor de' Conti, 13th century. The tower is all that
remains of a great fortified enclosure which once included all the Forum
of Nerva. In the reproduction, part of the contiguous buildings has
been obliterated
PLAN OF MEDIAEVAL ROME, by Taddeo di Bartolo in the chapel of the Palazzo
Pubblico at Siena (A.D. 1413-1414). [See E. Müntz, Antiquités de la
Ville de Rome, etc. 1886, p. 57; E. Stevenson, Di una pianta di Roma
dipinta da Taddeo di Bartolo, etc. Rome, 1881; and cf. G. B. de Rossi,
Piante iconografiche e prospettiche di Roma (Rome, Istituto archeo-
logico Germanico, 1879)]

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3. Silver asper of John II., Emperor of Trebizond (A.D. 1280-1297).
4. Silver asper of Alexius II., Emperor of Trebizond (A.D. 1297-1330).
5. Gold nomisma of Theodore II., Emperor of Nicaea (A.D. 1254-1258).
6. Bronze coin of John Comnenus Ducas Angelus, Emperor of Thessa-
lonica (A.D. 1232-1234).

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