English Study and English WritingD. C. Heath and Company, 1922 - 336 sider |
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Side 11
... Stevenson , for example , informs us that he often changed and polished every sentence . Now and then he wrote three or more complete drafts before his work to himself seemed good . You should read his own account of his progress while ...
... Stevenson , for example , informs us that he often changed and polished every sentence . Now and then he wrote three or more complete drafts before his work to himself seemed good . You should read his own account of his progress while ...
Side 64
... Stevenson called " the inevitable word , " and by using the pictur- esque for the old and outworn phrase ; only by placing on the active list many of the forms that now lie fallow and unappreciated in our vocabularies , these are a few ...
... Stevenson called " the inevitable word , " and by using the pictur- esque for the old and outworn phrase ; only by placing on the active list many of the forms that now lie fallow and unappreciated in our vocabularies , these are a few ...
Side 93
Henry Adelbert White. of facts , and illustrates to make it evident . Stevenson also learned by many experiments that repetition of definite sort has special charm . In one of his essays , he describes what he calls " the haunting ...
Henry Adelbert White. of facts , and illustrates to make it evident . Stevenson also learned by many experiments that repetition of definite sort has special charm . In one of his essays , he describes what he calls " the haunting ...
Side 102
... STEVENSON . 5. But the nightingale , another of my airy creatures , breathes such sweet , loud music out of her little instrumental throat , that it might make mankind to think miracles are not ceased . He that at midnight , when the ...
... STEVENSON . 5. But the nightingale , another of my airy creatures , breathes such sweet , loud music out of her little instrumental throat , that it might make mankind to think miracles are not ceased . He that at midnight , when the ...
Side 104
... STEVENSON . It is lost in still deeper twi- 11. Let us enter the church itself . light , to which the eye must be accustomed for some moments before the form of the building can be traced ; and then there opens before us a vast cave ...
... STEVENSON . It is lost in still deeper twi- 11. Let us enter the church itself . light , to which the eye must be accustomed for some moments before the form of the building can be traced ; and then there opens before us a vast cave ...
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Vanlige uttrykk og setninger
accent adverb argument audience Banquo beginning Bret Harte called character CHARLOTTE BRONTË choose comma common composition Correct debate definite divisions drama Edgar Allan Poe effect emotion English essay express fact familiar fiction figures follow grammar human iambic pentameter idea illustrate interest J. H. NEWMAN kinds language letter literary literature logical Lorna Doone Macbeth material meaning method metonymy narrative nature never notice novel oral outline paper paragraph periodic sentence person phrases play plot poem poetry poets pronoun reason rime Robert Louis Stevenson Rudyard Kipling scene Shakespeare short story Shylock simple single sometimes speaker speaking speech statement Stevenson student style syllables talk tell tence Tennessee's Partner things thought tion topic sentence verb whole Wilkins-Freeman words writing written
Populære avsnitt
Side 103 - A steadfast concert for peace can never be maintained except by a partnership of democratic nations. No autocratic government could be trusted to keep faith within it or observe its covenants: It must be a league of honor, a partnership of opinion.
Side 102 - O eloquent, just, and mighty Death! whom none could advise, thou hast persuaded; what none hath dared, thou hast done; and whom all the world hath flattered, thou only hast cast out of the world and despised: thou hast drawn together all the far-stretched greatness, all the pride, cruelty, and ambition of man, and covered it all over with these two narrow words, Hie jacet.
Side 93 - The cognomen of Crane was not inapplicable to his person. He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together.
Side 286 - The world is too much with us ; late and soon, Getting and spending, we lay waste our powers ; Little we see in Nature that is ours ; We have given our hearts away, a sordid boon...
Side 102 - But the Nightingale, another of my airy creatures, breathes such sweet loud music out of her little instrumental throat, that it might make mankind to think miracles are not ceased. He that at midnight, when the very labourer sleeps securely, should hear, as I have very often, the clear airs, the sweet descants, the natural rising and falling, the doubling and redoubling of her voice, might well be lifted above earth, and say...
Side 119 - Dry clash'd his harness in the icy caves And barren chasms, and all to left and right The bare black cliff clang'd round him, as he based His feet on juts of slippery crag that rang Sharp-smitten with the dint of armed heels — And on a sudden, lo ! the level lake, And the long glories of the winter moon.
Side 213 - In the whole composition there should be no word written, of which the tendency, direct or indirect, is not to the one preestablished design.
Side 287 - When in the chronicle of wasted time I see descriptions of the fairest wights, And beauty making beautiful old rhyme In praise of ladies dead and lovely knights, Then, in the blazon of sweet beauty's best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have express'd Even such a beauty as you master now.
Side 132 - For a thousand years in thy sight are but as yesterday when it is past, and as a watch in the night. Thou earnest them away as with a flood; they are as a sleep: in the morning they are like grass which groweth up. In the morning it flourisheth, and groweth up; in the evening it is cut down, and withereth.
Side 284 - But let my due feet never fail To walk the studious cloister's pale, And love the high embowed roof, With antique pillars massy proof, And storied windows richly dight, Casting a dim religious light.