The Works of Sir Joshua Reynolds, Knight ...: Containing His Discourses, Idlers, A Journey to Flanders and Holland, and His Commentary on Du Fresnoy's Art of Painting, Volum 1T. Cadell, Jr. and W. Davies, 1801 |
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Side v
... object of his care , might be led even by so slight a circumstance to become a benefactor . Hence our author derived the scriptural name of Joshua , which though not very uncommon , occurs less frequently than many others ; of this ...
... object of his care , might be led even by so slight a circumstance to become a benefactor . Hence our author derived the scriptural name of Joshua , which though not very uncommon , occurs less frequently than many others ; of this ...
Side xix
... object as it requires no effort of the mind , he sleeps over his work , and those powers of invention and disposition which ought par- ticularly to be called out and put in action , lie torpid , and lose their energy for want of ...
... object as it requires no effort of the mind , he sleeps over his work , and those powers of invention and disposition which ought par- ticularly to be called out and put in action , lie torpid , and lose their energy for want of ...
Side xxxvi
... object of the present memoir ; but the once endeavoured to add the knowledge of Arabick to that of Hebrew ; but finding his thoughts too much di- verted from other studies , after some time desisted from his purpose . " His discharge of ...
... object of the present memoir ; but the once endeavoured to add the knowledge of Arabick to that of Hebrew ; but finding his thoughts too much di- verted from other studies , after some time desisted from his purpose . " His discharge of ...
Side xl
... objects of this Institution , as stated by the Artists in a Petition to his Majesty , No- vember 28 , 1768 , were , 1. " the establishment of a well- regulated SCHOOL or ACADEMY OF DESIGN , for the use of Students in the Arts ; and 2 ...
... objects of this Institution , as stated by the Artists in a Petition to his Majesty , No- vember 28 , 1768 , were , 1. " the establishment of a well- regulated SCHOOL or ACADEMY OF DESIGN , for the use of Students in the Arts ; and 2 ...
Side liii
... object of Correggio ; and , however toilsome , is in various places strongly recommended by our author . " A steady attention to the general effect , ( as he has ob- served in his fourteenth Discourse , ) takes up more time , and is ...
... object of Correggio ; and , however toilsome , is in various places strongly recommended by our author . " A steady attention to the general effect , ( as he has ob- served in his fourteenth Discourse , ) takes up more time , and is ...
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The Works of Sir Joshua Reynolds: Knight ... Containing His ..., Volum 1 Sir Joshua Reynolds,Edmond Malone Uten tilgangsbegrensning - 1801 |
The Works of Sir Joshua Reynolds: Knight; ... Containing His Discourses ... Sir Joshua Reynolds,Edmond Malone Uten tilgangsbegrensning - 1798 |
Vanlige uttrykk og setninger
acquired admirable afterwards Albert Durer ancient appear artist attain attention Burke called Carlo Maratti character Claude Lorrain colouring composition considered contrary copy Correggio critick defects dignity DISCOURSE distinguished drapery drawing dress Duke Earl Edmond Malone effect elegance endeavour equal excellence exhibited expression figures genius gentlemen give grace Gwatkin habit honour imagination imitation Inchiquin invention Jervais Johnson judgement justly kind labour Lælius learned light Lodovico Caracci Lord manner masters means ment merit Michael Angelo mind models modern nature never object observed opinion ornaments painter painting passions Paul Veronese peculiar Pellegrino Tibaldi perfection picture pleasure poet portraits possessed Poussin practice prejudices principles produced publick racter Raffaelle reason Rembrandt ROYAL ACADEMY Rubens rules schools simplicity Sir Joshua Reynolds spectator Students style suppose taste thing thought tion Titian truth ture Vandyck variety Venetian Venetian School whole
Populære avsnitt
Side lxxxvi - Here Reynolds is laid, and, to tell you my mind, He has not left a wiser or better behind ; His pencil was striking, resistless, and grand ; His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Side 55 - A man cannot tell, whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions, the other by taking the best parts out of divers faces to make one Excellent.
Side 64 - He will permit the lower painter, like the florist or collector of shells, to exhibit the minute discriminations, which distinguish one object of the same species from another ; while he, like the philosopher, will consider nature in the abstract, and represent in every one of his figures the character of its species.
Side 52 - All the objects which are exhibited to our view by nature, upon close examination will be found to have their blemishes and defects.
Side 187 - To understand literally these metaphors, or ideas expressed in poetical language, seems to be equally absurd as to conclude that because painters sometimes represent poets writing from the dictates of a little winged boy or genius, that this same genius did really inform him in a whisper what he was to write; and that he is himself but a mere machine, unconscious of the operations of his own mind.
Side xxvii - their excellence and their value consisted in being the observations of a strong mind operating upon life ; and in consequence you find there what you seldom find in other books.
Side xvi - I found myself in the midst of works executed upon principles with which I was unacquainted : I felt my ignorance and stood abashed. All the indigested notions of painting which I had brought with me from England, where the art was in the lowest state it had ever been in, (it could not indeed be lower,) were to be totally done away, and eradicated from my mind. It was necessary, as it is expressed on a very solemn occasion, J that I should become as a little child.
Side 7 - I WOULD chiefly recommend, that an implicit obedience to the Rules of Art, as established by the practice of the great MASTERS, should be exacted from the young Students., That those models, which have passed through the approbation of ages, should be considered by them as perfect and infallible guides; as subjects for their imitation, not their criticism.
Side 73 - HE value and rank of every art is in proportion to the mental labour employed in it, or the mental pleasure produced by it. As this principle is observed or neglected, our profession becomes either a liberal art, or a mechanical trade.
Side 61 - Painting; the painter must never mistake this capricious changeling for the genuine offspring of nature; he must divest himself of all prejudices in favour of his age or country; he must disregard all local and temporary ornaments, and look only on those general habits which are every where and always the same.