Nineteenth-Century Literature CriticismGale, 2004 - 528 sider Here is a convenient source of commentary on the careers and works of acclaimed poets, novelists, short story writers, dramatists and philosophers who died between 1800 and 1899. Each volume presents overviews of four to eight authors with chronologically arranged criticism representing the entire range of response to each author. Entries typically include an author portrait, an introduction to the author, a primary bibliography, annotated criticism and an annotated list of further reading sources. Approximately 90-95% of critical essays are full text. Every fourth volume is a Topics volume covering major literary movements, trends and other topics related to nineteenth-century literature. Volumes include author, nationality, topic and title indexes; a cumulative title index to the entire series is published separately. |
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Side 159
... play and reappraising Shelley's talents as a dramatist . ] Although some of Shelley's Victorian critics — notably Forman2 - believed The Cenci to be an acting play , it now seems to have become a settled dictum of Shelley scholarship ...
... play and reappraising Shelley's talents as a dramatist . ] Although some of Shelley's Victorian critics — notably Forman2 - believed The Cenci to be an acting play , it now seems to have become a settled dictum of Shelley scholarship ...
Side 180
... play is far less suitable to the theatre than Shelley supposed . It lacks consistent progression , and in one ... play seemed to fall apart with the death of Count Cenci . His character had so domi- nated the first part of the play that ...
... play is far less suitable to the theatre than Shelley supposed . It lacks consistent progression , and in one ... play seemed to fall apart with the death of Count Cenci . His character had so domi- nated the first part of the play that ...
Side 289
... play ( except for the Pope , who never appears on stage ) this kind of power is unavail- able . The play demonstrates that the use of words to disrupt tyranny is dependent upon the speaker's ability to com- mand a forum . What Beatrice ...
... play ( except for the Pope , who never appears on stage ) this kind of power is unavail- able . The play demonstrates that the use of words to disrupt tyranny is dependent upon the speaker's ability to com- mand a forum . What Beatrice ...
Innhold
Robert Schumann 18101856 | 63 |
Percy Bysshe Shelley 17921822 | 149 |
Frank J Webb 1828?1894? | 322 |
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AAYA action aesthetic African Americans AITN AMWS audience Beatrice Cenci Beatrice's BPFB BRWS CAAS CANR CDALB CDBLB CDWLB character Charlie CMLC Count Cenci criticism Cromarty DAM DRAM DAM MST DAM MULT DAM NOV DAM POET DAM POP death DLBY drama Edinburgh Ellis essay evil father Garies geology Giacomo Hugh Miller imagination incest Irish Jean Paul John language Leipzig literary literature LMFS Lucretia MAICYA Mary ment moral MTCW murder Musik natural history NCLC novel NZfM Old Red Sandstone Orsino parricide Percy Bysshe Shelley Philadelphia play poetic poetry political Preface Prometheus Unbound reading representation RGAL RGEL RGSF RGWL riot Robert Schumann Romantic SATA scene Schu Shel Shelley's SSFS Stevens story SUFW TCLC tion tragedy University Press Walters Webb Webb's WLIT writing York