Nineteenth-Century Literature CriticismGale, 2004 - 528 sider Here is a convenient source of commentary on the careers and works of acclaimed poets, novelists, short story writers, dramatists and philosophers who died between 1800 and 1899. Each volume presents overviews of four to eight authors with chronologically arranged criticism representing the entire range of response to each author. Entries typically include an author portrait, an introduction to the author, a primary bibliography, annotated criticism and an annotated list of further reading sources. Approximately 90-95% of critical essays are full text. Every fourth volume is a Topics volume covering major literary movements, trends and other topics related to nineteenth-century literature. Volumes include author, nationality, topic and title indexes; a cumulative title index to the entire series is published separately. |
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Side 56
... seems more a justification for the col- lection of traditional tales than a tool for study of them . Indeed , Miller's main point seems to be that stories of the third class have a value which compares with , for example , classical ...
... seems more a justification for the col- lection of traditional tales than a tool for study of them . Indeed , Miller's main point seems to be that stories of the third class have a value which compares with , for example , classical ...
Side 183
... seem clear : While existing criticism insists that the play is structurally defective , primarily because Shelley wasted ... seems to have been , partly at least , in the way in which Shelley's contemporaries approached drama . White has ...
... seem clear : While existing criticism insists that the play is structurally defective , primarily because Shelley wasted ... seems to have been , partly at least , in the way in which Shelley's contemporaries approached drama . White has ...
Side 262
... seems to be reinforced by a speech later in the scene which oc- curs during a brief interval when the Count is alone on stage : CENCI : I do not feel as if I were a man , But like a fiend appointed to chastise The offences of some ...
... seems to be reinforced by a speech later in the scene which oc- curs during a brief interval when the Count is alone on stage : CENCI : I do not feel as if I were a man , But like a fiend appointed to chastise The offences of some ...
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Robert Schumann 18101856 | 63 |
Percy Bysshe Shelley 17921822 | 149 |
Frank J Webb 1828?1894? | 322 |
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