Shakespeare Translated: Derivatives on Film and TVPeter Lang, 2005 - 173 sider Shakespeare's works are constantly being translated into new contexts, a fact which demonstrates the vitality of his plots in contemporary settings. Shakespeare Translated looks at the way certain plays - particularly Romeo and Juliet, Hamlet, Othello, and King Lear - have been recontextualized into films like O and King of Texas, or television shows such as «The Gilmore Girls», «Cheers», and «Clueless». This book illustrates how Romeo and Juliet is the most shamelessly appropriated of Shakespeare's scripts for contemporary use because its plot fits so neatly into the teenage culture that has burgeoned since the late 1950s. Shakespeare Translated looks at what has happened to Shakespeare, for better or - more often - for worse, as the new millennium begins. |
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Side 72
... reveals the whereabouts of the evidence that will prove the corruption case against the Dairyu Company . The music , then , is ambivalent , simultaneously signaling two opposite outcomes and holding us between the possibilities . We are ...
... reveals the whereabouts of the evidence that will prove the corruption case against the Dairyu Company . The music , then , is ambivalent , simultaneously signaling two opposite outcomes and holding us between the possibilities . We are ...
Side 104
... reveals puzzlement at O's strange behavior . But what is the quality from which he is estranged ? As the passive Desi , Stiles , a superb Ophelia in the Almereyda Hamlet , is squandered here . She's " not much more than a winsome ...
... reveals puzzlement at O's strange behavior . But what is the quality from which he is estranged ? As the passive Desi , Stiles , a superb Ophelia in the Almereyda Hamlet , is squandered here . She's " not much more than a winsome ...
Side 114
... reveals his guilt is a matter of performance . Macbeth , when confronted with a murder about which only he of those present can know , certainly exhibits questionable behavior : " Thou canst not say I did it . " On these animations ...
... reveals his guilt is a matter of performance . Macbeth , when confronted with a murder about which only he of those present can know , certainly exhibits questionable behavior : " Thou canst not say I did it . " On these animations ...
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A. C. Bradley actor Andy Animated Shakespeare argues asks assassination audience balcony Bazin becomes Booth Cambridge Capulet characters Christian Claudius clichés Cordelia course culture daughter dead death depicted Desdemona Desi director dream Elliot emerge episode Eugenie evil example fall in love father film's final Ghost girl Gonzago Grandet Guildenstern Hamlet Iago inevitable issue Jago John Kenneth killed King Lear Kovu lago Lear's London looks lovers Macbeth Michael modern murder narrative Nishi Ophelia Othello Paul perhaps Peter Players Pocahontas political Polonius postmodern production reinforce revenge Richard Burt Richard III Robert F role Romeo and Juliet Rosencrantz Rothwell says scene script Shakespeare films Shakespeare in Love Shakespeare on Film Shakespeare on Screen Shakespeare Quarterly Shakespeare's play shows Simba stage stars story suggests teenage television tells Tempest theater Titus Tony Howard tragedy University Press Wada West Side Story Willson woman York Yoshiko young