The Pleasures of ImaginationT. Cadell, Junior, and W. Davies, 1794 - 195 sider |
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Side 3
... delight , and fix themselves on the memory . Where the reader has this previous knowledge of the subject , which we have mentioned as neceffary , the art of the Poet becomes itself a fource of pleasure , and B 2 PLEASURES OF IMAGINATION .
... delight , and fix themselves on the memory . Where the reader has this previous knowledge of the subject , which we have mentioned as neceffary , the art of the Poet becomes itself a fource of pleasure , and B 2 PLEASURES OF IMAGINATION .
Side 4
... delighted to find with how much dexterity the artist of verse can avoid a technical term , how neatly he can turn an ... delight as not to have afforded a subject to the Didactic Poet . Even the loathsomeness of disease and the dry ...
... delighted to find with how much dexterity the artist of verse can avoid a technical term , how neatly he can turn an ... delight as not to have afforded a subject to the Didactic Poet . Even the loathsomeness of disease and the dry ...
Side 31
... is fond of compound epithets , led to it perhaps by his fondness for the Greek , monotonous . and delights in giving a claffic air to his compofi- tions by ufing names and epithets the most remote from PLEASURES OF IMAGINATION . 31.
... is fond of compound epithets , led to it perhaps by his fondness for the Greek , monotonous . and delights in giving a claffic air to his compofi- tions by ufing names and epithets the most remote from PLEASURES OF IMAGINATION . 31.
Side 1
... delightful perceptions which they afford , independent of the object which originally produced them . This gave rise to the imitative or defigning arts ; fome of which , as painting and sculpture , directly copy the external appearances ...
... delightful perceptions which they afford , independent of the object which originally produced them . This gave rise to the imitative or defigning arts ; fome of which , as painting and sculpture , directly copy the external appearances ...
Side 3
... , properly speaking , is delightful to the imagination . But fuch an object may also include many other fources of pleasure ; and its beauty , or novelty , or grandeur , will make a stronger impreffion by reafon of THE DESIGN . 3.
... , properly speaking , is delightful to the imagination . But fuch an object may also include many other fources of pleasure ; and its beauty , or novelty , or grandeur , will make a stronger impreffion by reafon of THE DESIGN . 3.
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The Pleasures of Imagination Mark Akenside,Mrs Barbauld (Anna Letitia) Ingen forhåndsvisning tilgjengelig - 2018 |
Vanlige uttrykk og setninger
Academus affociation againſt AKENSIDE alſo arts beauty becauſe behold blooming bofom breaſt breath cauſe charms circumſtances cœleftial conſcious courſe dæmon defign defire delight divine eſpecially eternal exiſtence facred fair fame fancy fcene fenfe fhade fhall firſt fmiles fome fong fordid foul fource ftrain fubject fublime fuch fyftem genius hand harmonious heart heaven himſelf honours inftances inſpiration itſelf juſt lyre majeſtic meaſure mind moft moral moſt Mufe Muſe muſt myfterious nature nature's o'er obferved objects paffions philofophers philoſophy Plato pleaſing pleaſure Poem Poet poetic Poetry pomp powers praiſe preſent profpect purpoſe purſue racter radiant raiſe reaſon ridiculous riſe rofy ſcene ſchool ſcience ſeems ſenſe ſhade ſhall ſhapes ſhould ſmiles Socrates ſome ſpeak ſpirit ſpoils ſpread ſpring ſtate ſteps ſtill ſtream ſuch ſyſtem taſte thee themſelves theſe things thofe thoſe thou thouſand thro toil treaſures truth univerfal uſe verſe virtue whofe whoſe wiſdom youth
Populære avsnitt
Side 119 - The powers of man; we feel within ourselves His energy divine; he tells the heart, He meant, he made us to behold and love What he beholds and loves, the general orb Of life and being; to be great like him, Beneficent and active.
Side 115 - Hence when lightning fires The arch of Heaven, and thunders rock the ground. When furious whirlwinds rend the howling air. And Ocean, groaning from his lowest bed, Heaves his tempestuous billows to the sky ; Amid the mighty uproar, while below The nations tremble, SHAKSPEARE looks abroad From some high cliff, superior, and enjoys The elemental war.
Side 38 - Attentive turn ; from dim oblivion call Her fleet, ideal band ; and bid them, go ! Break through Time's barrier, and o'ertake the hour That saw the heavens created : then declare If aught were found in those external scenes To move thy wonder now.
Side 20 - Through mountains, plains, through empires black with shade, And continents of sand, will turn his gaze To mark the windings of a scanty rill That murmurs at his feet?
Side 15 - The active powers of man ! with wise intent The hand of Nature on peculiar minds Imprints a different bias, and to each Decrees its province in the common toil.
Side 36 - When guilt brings down the thunder, call'd aloud On Tully's name, and shook his crimson steel, And bade the father of his country hail ? For lo ! the tyrant prostrate on the dust, And Rome again is free...
Side 18 - The wonderful, the fair. I see them dawn ! I see the radiant visions, where they rise, More lovely than when Lucifer displays ^/ His beaming forehead through the gates of morn, To lead the train of Phoebus and the spring.
Side 16 - Decrees its province in the common toil. To some she taught the fabric of the sphere, The changeful moon, the circuit of the stars, The golden zones of heaven ; to...
Side 15 - The forms eternal of created things ; The radiant Sun, the Moon's nocturnal lamp, The mountains, woods, and streams, the rolling globe, And Wisdom's mien celestial.
Side 49 - Would pass unheeded. Fair the face of Spring, When rural songs and odours wake the morn, To every eye; but how much more to his Round whom the bed of sickness long diffused Its melancholy gloom!