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Bøker Bok 110 av 168I mean not here the prosody of a verse, which they could not but have hit on before...
" I mean not here the prosody of a verse, which they could not but have hit on before among the rudiments of grammar... "
Southern Review - Side 22
1828
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Remarks on Johnson's Life of Milton: To which are Added, Milton's Tractate ...

Francis Blackburne - 1780 - 381 sider
...futtle and fine, but more fimple, fenfuous, and paffionate. I me art not here the profody of a verfe, which they could not but have hit on before among the rudiments of grammar; but that fublime art which \iaAriJlotlcs poetics, in Horace, and the Italian commentaries of Cajtelvetro, Tajo,....
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Remarks on Johnson's Life of Milton: To which are Added Milton's Tractate of ...

Francis Blackburne - 1780 - 381 sider
...futtle and fine, but more fimple, fenfuous, and paffionate. I mean not here the profody of a verfe, which they could not but have hit on before among the rudiments of grammar; bur that fublime art which in Arijlotles poetics, in Horace, and the Italian commentaries of Caftefaetro,...
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Letters Concerning Education: Addressed to a Gentleman Entering at the ...

Peter Williams - 1785 - 340 sider
...(if again. I may ufe the nerypus expreffion of the fame Great Man*) the profpdy of a verfe, which one could not but have hit on before among the rudiments of Grammar; but that Sublime^ Art which, in Arijlotles POETICS, teaches what the Laws are of a • true Epic foem, ..what of a Dramatic, what of...
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The works of the English poets. With prefaces, biographical and critical, by ...

English poets - 1790
...fubtile and fine, but more fimple, fenfoous and paflionate. I mean not here the profody of a verle, which they could not but have hit on before among the rudiments of grammar; but that fublime art, which in Ariftotlc's Poetics, in Horace, and the Italian commentaries of Caftlevetro,...
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The Edinburgh Review: Or Critical Journal, Volum 134

1871
...own, to which appeal may be made. ' Not the mere prosody of a verse,' to adopt Milton's language, ' but that sublime art which in Aristotle's poetics, in ' Horace, and the Italian commentaries of Castelvetro, Tasso, ' Mazzoni, and others, teaches what the laws are of a true epic ' poem, what of...
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The prose works of John Milton; with a life of the author, by C. Symmons

John [prose] Milton, Charles Symmons - 1806
...fubtile and fine, but more fimple, fenfuous, and paffionate. I mean not here the profody of a verfe, which they could not but have hit on before among the rudiments of grammar; but that fublime art which in Ariftotle's poetics, in Horace, and the Italian commentaries of Caftlevetro, Taffo,...
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The Prose Works of John Milton: Ecclesiastical law. Matrimonial law. Of ...

John Milton, George Burnett - 1809
...poetry would be made subsequent, or indeed rather precedent, as be- x" ing less subtile and fine, but more simple, sensuous, and passionate. I mean not...and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric,...
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Life of Torquato Tasso: With an Historical and Critical Account of ..., Volum 1

John Black - 1810
...of those writers on the art of poetry, whom the young are to consult : " I mean not here, (says he) the prosody of a verse, which they could not but have...but that sublime art, which, in Aristotle's poetics, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the CHAP, vin....
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The Pamphleteer, Volum 17

1820
...poetry would be made subsequent, or, indeed, rather precedent, as being lesse subtle and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian Commentaries of Castelvetro, Tasso, Mazsoni, and others, teaches what the laws are of a true Epic poem, what of a dramatic,...
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The London Magazine

John Scott, John Taylor - 1828
...(viz, logic,) poetry should be made subsequent, or, indeed, rather precedent, as being less subtile and fine, and more simple, sensuous, and passionate....and the Italian Commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric,...
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