rider is further shown by the feather plumes on the heads of his Horses.

By the side of the chariot are seen the quiver and bowcase, the former being covered with decorations, and having the figure of a recumbent lion along its sides. The simple

"Come up, ye horses; and rage, ye chariots: and let the mighty men come forth."-JER. xlvi. 9. "The noise of a whip, and the noise of the rattling of the wheels, and of the prancing horses, and of the jumping chariots."-NAHUM iii. 2.

66 Like the noise of chariots.... shall they leap."-JOEL ii. 5.

but effective harness of the Horses is especially worthy of notice, as showing how the ancients knew, better than the moderns, that to cover a Horse with a complicated apparatus of straps and metal only deteriorates from the powers of the animal, and that a Horse is more likely to behave well if he

can see freely on all sides, than if all lateral vision be cut off by the use of blinkers.

Just behind the general is the chariot of another officer, one of whose Horses has been struck, and is lying struggling on the ground. The general is hastily giving his orders as he dashes past the fallen animal. On the ground are lying the bodies of some slain enemies, and the Horses are snorting and shaking their heads, significative of their unwillingness to trample on a human being. By the side of the dead man are his shield, bow, and quiver, and it is worthy of notice that the form of these weapons, as depicted upon the ancient Egyptian monuments, is identical with that which is still found among several half-savage tribes of Africa.

In the background is seen the fight raging round the standards. One chief has been killed, and while the infantry are pressing round the body of the rebel leader and his banner on one side, on the other the imperial chariots are thundering along to support the attack, and are driving their enemies before them. In the distance are seen the clouds of dust whirled into the air by the hoofs and wheels, and circling in clouds by the eddies caused by the fierce rush of the vehicles, thus illustrating the passage in Jer. iv. 13: "Behold, he shall come up as clouds, and his chariots shall be as a whirlwind: his horses are swifter than eagles. Woe unto us! for we are spoiled." The reader will see, by reference to the illustration, how wonderfully true and forcible is this statement, the writer evidently having been an eye-witness of the scene which he so powerfully depicts.

THE second scene is intentionally chosen as affording a strong contrast to the former. Here, instead of the furious rush, the galloping Horses, the chariots leaping off the ground, the archers bending their bows, and all imbued with the fierce ardour of battle, we have a scene of quiet grandeur, the Assyrian king making a solemn progress in his chariot after a victory, accompanied by his attendants, and surrounded by his troops, in all the placid splendour of Eastern state.

Chief object in the illustration stands the great king in his chariot, wearing the regal crown, or mitre, and sheltered from the sun by the umbrella, which in ancient Nineveh, as in more modern times, was the emblem of royalty. By his side is his

charioteer, evidently a man of high rank, holding the reins in a business-like manner; and in front marches the shield-bearer. In one of the sculptures from which this illustration was composed, the shield-bearer was clearly a man of rank, fat, fussy, full of importance, and evidently a portrait of some well-known individual

"Then shall there enter into the gates of this city, kings and princes sitting upon the throne of David, riding in chariots."-JER. xvii. 25.

The Horses are harnessed with remarkable lightness, but they bear the gorgeous trappings which befit the rank of the rider, their heads being decorated with the curious successive plumes with which the Assyrian princes distinguished their chariot Horses, and the breast-straps being adorned with tassels, repeated in successive rows like the plumes of the head

The reader will probably notice the peculiar high action of the Horses. This accomplishment seems to have been even more valued among the ancients than by ourselves, and some of the sculptures show the Horses with their knees almost touching their noses. Of course the artist exaggerrated the effect that he wanted to produce; but the very fact of the exaggeration shows the value that was set on a high and showy action in a Horse that was attached to a chariot of state. The old Assyrian sculptors knew the Horse well, and delineated it in a most spirited and graphic style, though they treated it rather conventionally. The variety of attitude is really wonderful, considering that all the figures are profile views, as indeed seemed to have been a law of the historical sculptures.

BEFORE closing this account of the Horse, it may be as well to remark the singular absence of detail in the Scriptural accounts. Of the other domesticated animals many such details are given, but of the Horse we hear but little, except in connexion with war. There are few exceptions to this rule, and even the oft-quoted passage in Job, which goes deeper into the character of the Horse than any other portion of the Scriptures, only considers the Horse as an auxiliary in battle. We miss the personal interest in the animal which distinguishes the many references to the ox, the sheep, and the goat; and it is remarkable that even in the Book of Proverbs, which is se rich in references to various animals, very little is said of the Horse.

THE ASS.

Importance of the Ass in the East-Its general use for the saddle-Riding the Ass not a mark of humility- The triumphal entry--White AssesCharacter of the Scriptural Ass-Saddling the Ass-The Ass used in agriculture--The Ass's millstone-The water-wheel and the plough-Reminiscences of the Ass in the Scriptural narrative-Its value as property-The flesh of the Ass-The siege of Samaria and its horrors-Various legends respecting the Ass-The impostor and his fate-Samson and Balaam.

IN the Scriptures we read of two breeds of Ass, namely, the Domesticated and the Wild Ass. As the former is the more important of the two, we will give it precedence.

IN the East, the Ass has always played a much more important part than among us Westerns, and on that account we find it so frequently mentioned in the Bible. In the first place, it is the universal saddle-animal of the East. Among us the Ass has ceased to be regularly used for the purposes of the saddle, and is only casually employed by holiday-makers and the like. Some persons certainly ride it habitually, but they almost invariably belong to the lower orders, and are content to ride without a saddle, balancing themselves in some extraordinary manner just over the animal's tail. In the East, however, it is ridden by persons of the highest rank, and is decorated with saddle and harness as rich as those of the horse.

In England we should be very much surprised to see a royal prince, a judge, or a bishop travelling habitually on a donkey, but in Palestine it is just the animal which would be considered most appropriate for the purpose. For example, we find that Abraham, an exceptionally wealthy man, and a chief of high position, made use of the Ass for the saddle. It was on an Ass that he travelled when he made his three days' journey from Beersheba to Moriah, when he was called to prove his faith by sacrificing Isaac (see Gen. xxii. 3).