 | Sir Joshua Reynolds, Edmond Malone - 1809 - 476 sider
...when the Painter comes to represent it, he contrives those little necessary concomitant circumstances in such a manner, that they shall strike the spectator no more than they did himself in his first conception of the story. • I am very ready to allow, that some circumstances of minuteness... | |
 | Sir Joshua Reynolds, Edmond Malone - 1809 - 430 sider
...when the Painter comes to represent it, he contrives those little necessary concomitant circumstances in such a manner, that they shall strike the spectator no more than they did himself in his first conception of the story. * I am very ready to allow, that some circumstances of minuteness and... | |
 | Lindley Murray - 1814 - 618 sider
...the expression of the persons employed. —The power of representing this mental picture on canvas, is what we call invention in a painter. In the conception...object, which should receive the principal mass of light or shadow; and though a second and third group maybe added, and a second and third mass of light, yet... | |
 | Sir Joshua Reynolds - 1819 - 610 sider
...when the Painter comes to represent it, he contrives those little necessary concomitant circumstances in such a manner, that they shall strike the spectator no more than they did himself in his first conception of the story. I am very ready to allow, that some circumstances of minuteness and... | |
 | Sir Joshua Reynolds, Edmond Malone - 1819 - 614 sider
...when the Painter comes to represent it, he contrives those little necessary concomitant circumstances in such a manner, that they shall strike the spectator no more than they did himself in his first conception of the story. I am very ready to allow, that some circumstances of minuteness and... | |
 | sir Joshua Reynolds - 1824 - 332 sider
...when the painter comes to represent it, he contrives those little necessary concomitant circumstances in such a manner, that they shall strike the spectator no more than they did himself in his first conception of the story. I am very ready to allow, that some circumstances of minuteness and... | |
 | Thomas Curtis (of Grove house sch, Islington) - 512 sider
...when the painter comes lo represent it, he contrives those little necessary concomitant circumstances in such a manner, that they shall strike the spectator no more than they did himself in his first conception of the story. The great end of the art is to strike the imagination. The painter therefore... | |
 | Laconics - 1829 - 390 sider
...when the painter comes to represent it, he contrives those little necessary concomitant circumstances in such a manner that they shall strike the spectator no more than they did himself in the first conception of the story.—Sir J. Reynolds, MCCCCXLH. Men have marble, women waxen minds,... | |
 | Instructive gleanings - 1832 - 206 sider
...when the painter comes to represent it, he contrives those little necessary concomitant circumstances in such a manner, that they shall strike the spectator no more than they did himself in his first conception of the story. ADVICE ON THE SUBJECT OF INVENTION. Richardson. BEING determined as... | |
 | sir Joshua Reynolds - 1835 - 726 sider
...when the Painter comes to represent it, he contrives those little necessary concomitant circumstances in such a manner, that they shall strike the spectator no more than they did himself in his first conception of the story. I am very ready to allow, that some circumstances of minuteness and... | |
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is what we call invention in a painter. In the conception of this ideal picture, all the little circumstances should be contrived in such a manner, that they shall strike the spectator no more than they did himself in his conception of the story. Thus... 
