 | Dugald Stewart - 1802 - 610 sider
...fenfibility to the diitrefles of real life. In a Novel, or a Tragedy, the picture is completely finifhed hi all its parts ; and we are made acquainted not only with every circumftance on which the diftrefs turns, but \rith the fentiments and feelings of every character... | |
 | Samuel Cooper Thacher, David Phineas Adams, William Emerson - 1808 - 710 sider
...produce on some persons, who do not discover much sensibility to fhe calamities of real life. In • novel or a tragedy the picture is completely finished...the tragedy ; and the impression is slight, unless the imagination finishes the characters and supplies the incidents that are wanting.' There is a cold,... | |
 | Samuel Cooper Thacher, David Phineas Adams, William Emerson - 1808 - 702 sider
...who do not discover much sensibility to the calamities of real life. In л 1808.] Remarker, No. 29. novel or a tragedy the picture is completely finished...character with respect to his situation. In real life we sec, in general, only detached scenes of the tragedy ; and the impression is slight, unless the imagination... | |
 | David Phineas Adams, William Emerson, Samuel Cooper Thacher - 1808 - 708 sider
...much sensibility to the calamities of real life. In a novel or a tragedy tbe picture is complete!}' finished in all its parts, and we are made acquainted,...distress turns, but with the sentiments and feelings of uvery character with respect to his situation. In real life we see, in general, only detached scenes... | |
 | Dugald Stewart - 1808 - 590 sider
...ienfibility to the diftrefles of real life. In a Novel, or a Tragedy, the picture is completely finifhed in all its parts ; and we are made acquainted not only with every circumftance on which the diflrefs turns, but with the fentiments and feelings of every character with... | |
 | Alexander Jamieson - 1822 - 312 sider
...parts ; and we are made acquainted, (as in " THE VICAR OF WAKEFIELD," for example, or " KINO LEAK;") not only with every circumstance on which the distress...sentiments and feelings of every character, with respect to the situation of that character. In real life we see, in general, only detached scenes of the tragedy,... | |
 | 1823 - 736 sider
...strikingly BU 2 [[OCTOBER, illustrated in the productions of the novelist The picture of distress is here finished in all its parts, and we are made acquainted...every character with respect to his situation. In ordinary life, we see only the naked outline of the exhibition, and, consequently, the impression is... | |
 | 1823 - 684 sider
...strikingly 3U2 516 illustrated in the productions of the novelist. The picture of distress is here finished in all its parts, and we are made acquainted...every character with respect to his situation. In ordinary life, we see only the naked outline of the exhibition, and, consequently, the impression is... | |
 | Alexander Jamieson - 1835 - 312 sider
...parts ; and we are made acquainted (as in " THE VICAR OF WAKEFIELD," for example, or " KISG LEAR") not only with every circumstance on which the distress...sentiments and feelings of every character, with respect to the situation of that character. In real life we see, in general, only detached scenes of the tragedy,... | |
 | Alexander Jamieson - 1837 - 312 sider
...its parts ; and we are made acquainted (as in "THE VICAR OF WAKEFIELD," for example, or " KING LEAR") not only with every circumstance on which the distress...sentiments and feelings of every character, with respect to the situation of that character. In real life we see, in general, only detached scenes of the tragedy,... | |
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In • novel or a tragedy the picture is completely finished in all its parts, and we are made acquainted, not only with every circumstance on which the distress turns, but with the sentiments and feelings of every character with respect to his situation.... 