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Side 80
In Leviathan ( 1651 ) Hobbes defines sense and proceeds to a discussion of the terms " fancy , ” “ memory , ” and “ imagination , " all too frequently without clear distinction . Here he builds upon his philosophic theory that motion is ...
In Leviathan ( 1651 ) Hobbes defines sense and proceeds to a discussion of the terms " fancy , ” “ memory , ” and “ imagination , " all too frequently without clear distinction . Here he builds upon his philosophic theory that motion is ...
Side 91
The first of these is characterized in Leviathan as “ Unguided , without Designe , ” in which “ there is no Passionate Thought to govern and direct ” its course to some designed end . The second is “ regulated by some desire ...
The first of these is characterized in Leviathan as “ Unguided , without Designe , ” in which “ there is no Passionate Thought to govern and direct ” its course to some designed end . The second is “ regulated by some desire ...
Side 97
We have seen that in Leviathan , The Elements of Law , and The Elements of Philosophy alike Hobbes looks upon appetite as a force even more potent than association in directing man's thoughts to a given end .
We have seen that in Leviathan , The Elements of Law , and The Elements of Philosophy alike Hobbes looks upon appetite as a force even more potent than association in directing man's thoughts to a given end .
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Innhold
CHAPTER PAGE | 3 |
SOME OF HOBBESS PREDECESSORS IN THE PSYCHO | 25 |
Hobbess THEORY OF IMAGINATION | 79 |
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according actions activity admiration aesthetic Answer appears appetite Aristotle Bacon beauty becomes body called causes conception criticism Davenant definition delight Dennis desire direct Dryden effects Elements Elements of Law emotional English Essays evidence experience expression fact faculty fancy follow functions further genius give hand History Hobbes Hobbes's human Ibid ideal ideas images imagination imitation important influence interest invention judg judgment kind knowledge language later learned Leviathan London materials matter means memory method mind motion move names nature novelty object observation original passage passions perception philosophy pleasure poem poet poetic poetry Preface present principle processes produce psychological reader reason relation remarks rules seems sense shows soul sources speak specific Spingarn spirit statement theory things thought tion true truth understanding whole writes