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Side 85
If perception is merely motion in reaction to motion , why does not motion upon any body result in perception ? Hobbes's reply is instructive as an evidence of his close scrutiny of his problem and of the observable facts of mind which ...
If perception is merely motion in reaction to motion , why does not motion upon any body result in perception ? Hobbes's reply is instructive as an evidence of his close scrutiny of his problem and of the observable facts of mind which ...
Side 87
Such a description has much significance as an indication of a step in Hobbes's thinking toward a conception to be developed in later psychology : namely , that every act of perception is in reality a creative act in which materials ...
Such a description has much significance as an indication of a step in Hobbes's thinking toward a conception to be developed in later psychology : namely , that every act of perception is in reality a creative act in which materials ...
Side 114
is impossible without memory of some previous sense impression with which to compare the incoming impression ; and all ideas of objects in more complex perception , as of a man or of a square , are made up of a composite of ideas held ...
is impossible without memory of some previous sense impression with which to compare the incoming impression ; and all ideas of objects in more complex perception , as of a man or of a square , are made up of a composite of ideas held ...
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Innhold
CHAPTER PAGE | 3 |
SOME OF HOBBESS PREDECESSORS IN THE PSYCHO | 25 |
Hobbess THEORY OF IMAGINATION | 79 |
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according actions activity admiration aesthetic Answer appears appetite Aristotle Bacon beauty becomes body called causes conception criticism Davenant definition delight Dennis desire direct Dryden effects Elements Elements of Law emotional English Essays evidence experience expression fact faculty fancy follow functions further genius give hand History Hobbes Hobbes's human Ibid ideal ideas images imagination imitation important influence interest invention judg judgment kind knowledge language later learned Leviathan London materials matter means memory method mind motion move names nature novelty object observation original passage passions perception philosophy pleasure poem poet poetic poetry Preface present principle processes produce psychological reader reason relation remarks rules seems sense shows soul sources speak specific Spingarn spirit statement theory things thought tion true truth understanding whole writes