English Romantic Poets: Modern Essays in CriticismM. H. Abrams Oxford University Press, 11. sep. 1975 - 496 sider This highly acclaimed volume contains thirty essays by such leading literary critics as A.O. Lovejoy, Lionel Trilling, C.S. Lewis, F.R. Leavis, Northrop Frye, Harold Bloom, Geoffrey Hartman, Jonathan Wordsworth, and Jack Stillinger. Covering the major poems by each of the important Romantic poets, the contributors present many significant perspectives in modern criticism--old and new, discursive and explicative, mimetic and rhetorical, literal and mythical, archetypal and phenomenological, pro and con. |
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Side 3
... perhaps , wholly undeserving of notice on the part of this learned company . It was apparently in 1824 that those respected citizens of La - Ferte - sous - Jouarre , MM , Dupuis and Cotonet , began an enterprise which was to cause them ...
... perhaps , wholly undeserving of notice on the part of this learned company . It was apparently in 1824 that those respected citizens of La - Ferte - sous - Jouarre , MM , Dupuis and Cotonet , began an enterprise which was to cause them ...
Side 6
... Perhaps there are some who think the rich ambiguity of the word not regrettable . In 1824 , as Victor Hugo then testified , there were those who preferred to leave & ce mot de romantique un certain vague fantastique et indefinissable ...
... Perhaps there are some who think the rich ambiguity of the word not regrettable . In 1824 , as Victor Hugo then testified , there were those who preferred to leave & ce mot de romantique un certain vague fantastique et indefinissable ...
Side 20
... perhaps properly be called a Romantic ; the author of the later - written parts of the latter work and of the Genie du Christianisme may perhaps properly be called a Romantic ; but it is obvious that the word has , in most im- portant ...
... perhaps properly be called a Romantic ; the author of the later - written parts of the latter work and of the Genie du Christianisme may perhaps properly be called a Romantic ; but it is obvious that the word has , in most im- portant ...
Side 26
... perhaps an ex- planation of the last . Something like an answer to such a question is what I would sketch . For the purpose of providing an antithetic point of departure , I quote here a part of one of the best known and most roughly ...
... perhaps an ex- planation of the last . Something like an answer to such a question is what I would sketch . For the purpose of providing an antithetic point of departure , I quote here a part of one of the best known and most roughly ...
Side 35
... perhaps to the subrational . Thus : in Shelley's ' Ode to the West Wind ' the shifts in imagery of the second stanza , the pell - mell raggedness and confusion of loose clouds , decaying leaves , angels and Maenads with hair uplifted ...
... perhaps to the subrational . Thus : in Shelley's ' Ode to the West Wind ' the shifts in imagery of the second stanza , the pell - mell raggedness and confusion of loose clouds , decaying leaves , angels and Maenads with hair uplifted ...
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English Romantic Poets: Modern Essays in Criticism, Volum 10 Meyer Howard Abrams Uten tilgangsbegrensning - 1960 |
Vanlige uttrykk og setninger
Albion beauty Blake Blake's breath Byron called cantos child Christ Christian Coleridge Coleridge's consciousness context creative critics death divine Don Juan dramatic dream dreamer Dryden earth Eliot emotional English essay evil experience eyes fact feeling Four Zoas Giaour heart heaven human Hyperion idea imagery imagination immortal innocence inspiration John Keats Jupiter Keats Keats's kind Kubla Khan light lines living Lycidas lyric Lyrical Ballads M. H. ABRAMS Madeline Martha Ray means metaphor Milton mind modern moon moral myth nature never pain Paradise Paradise Lost passage passion perhaps poem poet poet's poetic poetry Porphyro Prelude Prometheus reader Romantic Romanticism Satan seems sense Shelley Shelley's song sonnet soul speak spirit stanza suggest symbols T. S. Eliot thee theme things thou thought Tintern Abbey tion truth Urizen verse vision visionary William Wordsworth wind word Wordsworth writing
Populære avsnitt
Side 151 - I have looked upon, Both of them speak of something that is gone: The Pansy at my feet Doth the same tale repeat: Whither is fled the visionary gleam? Where is it now, the glory and the dream?
Side 192 - And what if all of animated nature Be but organic harps diversely framed, That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual breeze, At once the Soul of each, and God of all?
Side 195 - Therefore all seasons shall be sweet to thee, Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the nigh thatch Smokes in the sun-thaw; whether the eave-drops fall, Heard only in the trances of the blast, Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet Moon.
Side 217 - With sloping masts and dipping prow, As who pursued with yell and blow Still treads the shadow of his foe, And forward bends his head, The ship drove fast, loud roared the blast, And southward aye we fled. "And now there came both mist and snow, And it grew wondrous cold: And ice, mast-high, came floating by, As green as emerald.
Side 351 - The unfettered clouds and region of the heavens, Tumult and peace, the darkness and the light, Were all like workings of one mind, the features Of the same face, blossoms upon one tree, Characters of the great Apocalypse, The types and symbols of Eternity, Of first, and last, and midst, and without end.
Side 305 - The isles of Greece, the isles of Greece ! Where burning Sappho loved and sung, Where grew the arts of war and peace, Where Delos rose, and Phoebus sprung ! Eternal summer gilds them yet, But all, except their sun, is set.
Side 153 - No more shall grief of mine the season wrong; I hear the Echoes through the mountains throng, The Winds come to me from the fields of sleep, And all the earth is gay; Land and sea...
Side 177 - Even in the motions of the Storm Grace that shall mould the Maiden's form By silent sympathy. "The stars of midnight shall be dear To her; and she shall lean her ear In many a secret place Where rivulets dance their wayward round, And beauty born of murmuring sound Shall pass into her face. "And vital feelings of delight Shall rear her form to stately height, Her virgin bosom swell; Such thoughts to Lucy I will give While she and I together live Here in this happy dell.
Side 414 - Its loveliness increases ; it will never Pass into nothingness ; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing. Therefore, on every morrow, are we wreathing A flowery band to bind us to the earth...