Wordsworthian Errancies: The Poetics of Cultural DismembermentJohns Hopkins University Press, 1994 - 287 sider According to David Collings, Wordsworth interpreted the outbreak of war between England and France in 1793 as a cataclysmic event, one whose utterly disfiguring effect he would trace in his work over the next decade. Expanding upon this extravagant interpretation of events, Collings argues, Wordsworth constructed a poetics of cultural dismemberment - a way for culture to imagine that it survives in the midst of its own destruction. In Wordsworthian Errancies, Collings challenges prevailing critical approaches to Romantic poetry by describing and critiquing this deconstructive account of culture in Wordsworth's poetry. Drawing ideas from deconstruction, psychoanalysis, Marxism, feminism, and queer theory, Collings's reading reveals a radically new Wordsworth, one who is far more concerned with various "queer" modes of sexuality than previously suspected. In a provocative reading of The Prelude, for example, Collings argues that Wordsworth associated his poetic power with homoerotic masochistic fantasies and with his involuntary delight in traumatic events. He also redefines the debate concerning the politics of Wordsworth's poetry: disputing recent critics who claim that Wordsworth retreated from history into a poetry of the self, Collings argues instead that the very notion of the solitary, autobiographical subject derived from Wordsworth's sense of cultural trauma. The suspect dimension of Wordsworth's poetry, Collings concludes, is not its retreat from history but rather its claim that history is disaster. |
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Side 134
... voice as sound to a symbolic practice that separates voice from sound . If one accepts this reading , one might argue that the provisionally phenomenal language of mimicry gives way , via a sudden shock or rupture , to a symbolic ...
... voice as sound to a symbolic practice that separates voice from sound . If one accepts this reading , one might argue that the provisionally phenomenal language of mimicry gives way , via a sudden shock or rupture , to a symbolic ...
Side 228
... voice , and countenance of the Man , Came back upon me , so that some few tears Fell from me in my own despite . And now , Thus travelling smoothly o'er the level Sands , I thought with pleasure of the Verses graven Upon his Tombstone ...
... voice , and countenance of the Man , Came back upon me , so that some few tears Fell from me in my own despite . And now , Thus travelling smoothly o'er the level Sands , I thought with pleasure of the Verses graven Upon his Tombstone ...
Side 234
... voice claims to master the world of sense , it fulfills itself here , if at all , through a radical alienation from itself . This event simultaneously reveals the poet's power and bestows it upon him ; on the one hand , like the dreamer ...
... voice claims to master the world of sense , it fulfills itself here , if at all , through a radical alienation from itself . This event simultaneously reveals the poet's power and bestows it upon him ; on the one hand , like the dreamer ...
Innhold
Errancy in the Salisbury Plain Poems | 18 |
Notes | 237 |
Works Cited | 269 |
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