pt. 3. Of the imaginative and theoretic faculties. 4th edSmith, Elder, 1873 |
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abstrac Adamite angel Angelico animal artist bodily body Brera Gallery Caliban Camillo Procaccini Chap character Christ clouds colour combination conceive conception Correggio countenance creature delight desire dignity divine evident evil exist expression eyes fancy farther fear feeling Fra Angelico Fra Bartolomeo function Gentile Bellini Giorgione Giotto glory hand heart human form ideal art ideal form Imaginative faculty imperfection impressions instance intellectual kind landscape less light look lower Madonna Masaccio Michael Angelo mind Mino da Fiesole modes moral nature necessary never noble object observed operation outward painful painted passion perception perfect Perugino picture Pitti Palace plant pleasure portraiture present proportion pure purity Raffaelle received reference rendered repose respect rightly sense sensual sight signs Soldanella alpina species spirit suppose Theoretic faculty things Tintoret tion Titian tree trunk truth typical beauty unity Venice virtue visible word Ideal zinc