The Works of Sir Joshua Reynolds, Volum 1T. Cadell and W. Davies, in the strand, 1809 |
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Side i
... ornaments . By your illustrious predecessors were were established Marts for manufactures , and Colleges for science ; but for the arts of elegance , those arts by which manufactures are embellished , and science is refined , to found ...
... ornaments . By your illustrious predecessors were were established Marts for manufactures , and Colleges for science ; but for the arts of elegance , those arts by which manufactures are embellished , and science is refined , to found ...
Side xci
... ornaments of a most cultivated and improved understanding : he was not only one of the finest gen . tlemen , but of the first orators , and the most elegan scholars of the age . Lælius and Scipio indeed , unzud es they were by geurus ...
... ornaments of a most cultivated and improved understanding : he was not only one of the finest gen . tlemen , but of the first orators , and the most elegan scholars of the age . Lælius and Scipio indeed , unzud es they were by geurus ...
Side 124
... and more with the ad- dition of those lower ornaments , which entirely make the merit of some painters , yet he never arrived at such perfection as to make him an object of imitation . He never was able to conquer 124 THE FIFTH DISCOURSE .
... and more with the ad- dition of those lower ornaments , which entirely make the merit of some painters , yet he never arrived at such perfection as to make him an object of imitation . He never was able to conquer 124 THE FIFTH DISCOURSE .
Side 127
... ornaments , which disgrace the works even of the most esteemed artists ; and I will venture to say , that when those higher excellencies are more known and cul- tivated by the artists and the patrons of arts , his fame and credit will ...
... ornaments , which disgrace the works even of the most esteemed artists ; and I will venture to say , that when those higher excellencies are more known and cul- tivated by the artists and the patrons of arts , his fame and credit will ...
Side 215
... ornaments , however elegant and graceful , captivates the sensuality , as it may be called , of our taste . Thus the Roman and Bolognian schools are reasonably preferred to the Venetian , Flemish or Dutch schools , as they address ...
... ornaments , however elegant and graceful , captivates the sensuality , as it may be called , of our taste . Thus the Roman and Bolognian schools are reasonably preferred to the Venetian , Flemish or Dutch schools , as they address ...
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The Works of Sir Joshua Reynolds, Volum 1 Sir Joshua Reynolds,Edmond Malone Uten tilgangsbegrensning - 1809 |
The Works of Sir Joshua Reynolds, Volum 1 Sir Joshua Reynolds,Edmond Malone Uten tilgangsbegrensning - 1809 |
Vanlige uttrykk og setninger
acquired admirable Albert Durer ancient Annibale Caracci antiquity appear artist attain attention beauty Burke called Carlo Maratti character Claude Lorrain colours composition considered contrary copy Correggio defects dignity DISCOURSE distinguished drapery drawing dress Duke Earl Edmond Malone effect elegance endeavour equal exhibited expression figures Flemish genius gentlemen give grace grandeur habit idea imagination imitation Inchiquin invention Jervais Johnson justly kind labour learned light Lord manner masters means merit Michael Angelo mind models modern nature never object observed opinion ornaments painter painting passions Paul Veronese peculiar perfect picture pleasure portraits possessed Poussin practice prejudices principles produced publick R. B. Sheridan racter Raffaelle rank reason Rembrandt ROYAL ACADEMY Rubens schools simplicity Sir Joshua Reynolds spectator Student style suppose taste thing thought Tintoret tion Titian truth ture Vandyck variety Venetian painters Venetian School whole
Populære avsnitt
Side lxxviii - Here Reynolds is laid, and to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless, and grand : His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Side xcii - Of men, by laws less circumscribed and bound ; They led their wild desires to woods and caves, And thought that all but savages were slaves.
Side 101 - I am persuaded, that scarce a poet is to be found, from Homer down to Dry den, who preserved a sound mind in a sound body, and continued practising his profession to the very last, whose latter works are not as replete with the fire of imagination, as those which were produced in his more youthful days.
Side 77 - Unsubstantial, however, as these rules may seem, and difficult as it may be to convey them in writing, they are still seen and felt in the mind of the artist; and he works from them with as much certainty as if they were embodied, as I may say, upon paper.
Side cix - Sir Joshua Reynolds was, on very many accounts, one of the most memorable men of his time. He was the first Englishman who added the praise of the elegant arts to the other glories of his country. In taste, in grace, in facility, in happy invention, and in the richness and harmony of colouring, he was equal to the great masters of the renowned ages.
Side 53 - Michael Angelo's works have a strong, peculiar, and marked character: they seem to proceed from his own mind entirely, and that mind so rich and abundant, that he never needed, or seemed to disdain, to look abroad for foreign help. Raphael's materials are generally borrowed, though the noble structure is his own.
Side xv - It is much to be regretted that he did not live to compose such a Discourse ; for, from the hand of so great and candid an Artist, it could not but have been highly curious and instructive.
Side xviii - I felt my ignorance, and stood abashed. All the indigested notions of painting which I had brought with me from England, where the art was in the lowest state it had ever been in, (it could not indeed be lower,) were to be totally done away, and eradicated from my mind.
Side 101 - We will allow a poet to express his meaning, when his meaning is not well known to himself, with a certain degree of obscurity, as it is one source of the sublime. But when, in plain prose, we gravely talk of courting the Muse in shady bowers; waiting the call and inspiration of genius, finding out where he inhabits, and where he is to be invoked with the greatest success...
Side xxxii - No man had, like him, the faculty of teaching inferior minds the art of thinking. Perhaps other men might have equal knowledge; but few were so communicative. His great pleasure was, to talk to those who looked up to him.