Byron, the PoetV. Gollancz, 1964 - 352 sider |
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Side 14
... beginning of Canto II . For here Byron discovers what is to become the master - device of the poem , the use of ruined monuments as the link between present and past , and opens what is to be its central theme , the triumph of time and ...
... beginning of Canto II . For here Byron discovers what is to become the master - device of the poem , the use of ruined monuments as the link between present and past , and opens what is to be its central theme , the triumph of time and ...
Side 50
... beginning , The Giaour had roused his enthu- siasm by its authenticity : His subject is an excellent one . We never had descriptions of Eastern manners before . All that has been hitherto attempted was done without actual knowledge . By ...
... beginning , The Giaour had roused his enthu- siasm by its authenticity : His subject is an excellent one . We never had descriptions of Eastern manners before . All that has been hitherto attempted was done without actual knowledge . By ...
Side 163
... beginning to end , an intelligible character : as much so as the Satan of Milton.4 It is a passage that Byron probably read , and its speculation would certainly have been congenial to him . For Don Juan , almost from the beginning ...
... beginning to end , an intelligible character : as much so as the Satan of Milton.4 It is a passage that Byron probably read , and its speculation would certainly have been congenial to him . For Don Juan , almost from the beginning ...
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admired adventure already Ariosto Aurora Beppo Bowles controversy Boyd Bride of Abydos Byronic hero Cain cant Canto Catherine character Childe Harold comic Corsair described digression Don Juan drama earlier effect English epic episode Escarpit example experience Faust feeling Giaour Gothic Greece Greek Gulbeyaz Haidée Helene Richter heroic couplet Hobhouse human Italian Journal Juan's Juanesque Keats kind Lady Adeline Lambro Lara later cantos Leila letter Lord Byron Lovell Manfred Marino Faliero material meditation Medwin mind Moore moral Murray Napoleon narrative narrator nature ocean original passage passion perhaps play poem poet poetic Poetry Pope present reference rhyme romantic ruin Sardanapalus satire scene Scott sense sentimental Sept seraglio Shelley shipwreck Siege of Corinth siege of Ismail soul spirit stanzas Steffan story style theme things tion tradition Turkish Vathek Venice whole Wordsworth writing written