Byron, the PoetV. Gollancz, 1964 - 352 sider |
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Side 15
... stanzas begins to look forward to the later Juanesque mode . It also involved the removal or toning down of certain pas- sages likely to give offence . A stanza which originally expressed a Lucretian contempt for the idea of an after ...
... stanzas begins to look forward to the later Juanesque mode . It also involved the removal or toning down of certain pas- sages likely to give offence . A stanza which originally expressed a Lucretian contempt for the idea of an after ...
Side 16
... stanzas added towards the end of Canto I. To Matthews , less loved but greatly admired , Byron felt he could not do justice in verse , but he is mentioned in Byron's note on these stanzas.12 More concealed but perhaps more deeply felt ...
... stanzas added towards the end of Canto I. To Matthews , less loved but greatly admired , Byron felt he could not do justice in verse , but he is mentioned in Byron's note on these stanzas.12 More concealed but perhaps more deeply felt ...
Side 84
... stanzas which develop a theme already stated or implicit in the original " matrix " stanzas.52 Simpler examples , mainly a matter of expansion , are the " sea Cybele " stanza on Venice , or the added stanzas which describe ruined Rome ...
... stanzas which develop a theme already stated or implicit in the original " matrix " stanzas.52 Simpler examples , mainly a matter of expansion , are the " sea Cybele " stanza on Venice , or the added stanzas which describe ruined Rome ...
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admired adventure already Ariosto Aurora Beppo Bowles controversy Boyd Bride of Abydos Byronic hero Cain cant Canto Catherine character Childe Harold comic Corsair described digression Don Juan drama earlier effect English epic episode Escarpit example experience Faust feeling Giaour Gothic Greece Greek Gulbeyaz Haidée Helene Richter heroic couplet Hobhouse human Italian Journal Juan's Juanesque Keats kind Lady Adeline Lambro Lara later cantos Leila letter Lord Byron Lovell Manfred Marino Faliero material meditation Medwin mind Moore moral Murray Napoleon narrative narrator nature ocean original passage passion perhaps play poem poet poetic Poetry Pope present reference rhyme romantic ruin Sardanapalus satire scene Scott sense sentimental Sept seraglio Shelley shipwreck Siege of Corinth siege of Ismail soul spirit stanzas Steffan story style theme things tion tradition Turkish Vathek Venice whole Wordsworth writing written