The History of Modern Painting, Volum 1Henry and Company, 1895 - 871 sider |
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Academy æsthetic ancient antique artist Ary Scheffer Baudry beauty Beaux Arts became Berlin bildende Kunst Carstens Charles Charles Blanc charming CHIG CHIG UNIV classical colour Constance Mayer contemporaries Cornelius Correggio costume David death Delacroix Delaroche depicted Dürer Düsseldorf Düsseldorf school eighteenth century English epoch expression eyes Feuerbach figures France frescoes Gainsborough Gallait Gallery genius Géricault German German art Goethe Goya grace Greek Gros head historical painting history of art Hogarth ideal imitation Ingres Italian Joshua Reynolds Kaulbach Künstler L'Art ladies landscape Leipzig lived London Makart manner Meissonier Menzel Michael Angelo MICHI modern Munich nature Nazarenes nineteenth century noble old masters Overbeck painter Paris passion Paul Baudry peinture period portraits Prudhon Raphael Renaissance Revolution Reynolds Rococo Roman Romanticism Rome RSITY Rubens Salon scenes Schwind sentiment spirit style tender Théophile Gautier Thomas Gainsborough Titian to-day UNIV SITY Wappers Watteau whole young youth Zeitschrift für bildende
Populære avsnitt
Side 58 - Nature! great parent! whose unceasing hand Rolls round the Seasons of the changeful year, How mighty, how majestic, are thy works!
Side 37 - In full affluence of foreign . and domestic fame, admired by the expert in art and by the learned in science, courted by the great, caressed by sovereign powers, and celebrated by distinguished poets, his native humility, modesty, and...
Side 49 - We are all going to heaven, and Van Dyck is of the company.
Side 26 - Farewell, great painter of mankind ! Who reached the noblest point of art, Whose pictured morals charm the mind, And through the eye correct the heart If Genius fire thee, reader, stay, If Nature touch thee, drop a tear, If neither move thee — turn away — For Hogarth's honoured dust lies here.
Side 37 - Sir Joshua Reynolds was, on very many accounts, one of the most memorable men of his time. He was the first Englishman who added the praise of the elegant arts to the other glories of his country. In taste, in grace, in facility, in happy invention, and in the richness and harmony of colouring, he was equal to the great masters of the renowned ages.
Side 36 - I should desire that the last words which I should pronounce in this Academy, and from this place, might be the name of — MICHAEL ANGELO.* * Unfortunately for mankind, these were the last words pronounced by this great Painter from the Academical chair.
Side 558 - Handsomely half-bound, India Proofs, royal folio, £10 ; Large Paper copies, Artists' India Proofs, elephant folio, £20. Modern Art : A Series of superb Line Engravings, from the Works of Distinguished Painters of the English and Foreign Schools, selected from Galleries and Private Collections in Great Britain. With descriptive Text by JAMES DAFFORNE.
Side 28 - I have endeavoured to treat my subjects as a dramatic writer; my picture is my stage, and men and women my players, who by means of certain actions and gestures, are to exhibit a dumb show.
Side 292 - Mine eye runneth down with rivers of water for the destruction of the daughter of my people.
Side 507 - Und wer eine Wachshand opfert, Dem heilt an der Hand die Wund; Und wer einen Wachsfuß opfert, Dem wird der Fuß gesund.