Film Theory: An Introduction

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John Wiley & Sons, 20. nov. 2017 - 400 sider
This book is a lively and provoking introduction to film theory. It is suitable for students from any discipline but is particularly aimed at students studying film and literature as it examines issues common to both subjects such as realism, illusionism, narration, point of view, style, semiotics, psychoanalysis and multiculturalism. It also includes coverage of theorists common to both, Barthes, Lacan and Bakhtin among others.

Robert Stam, renowned for his clarity of writing, will also include studies of cinema specialists providing readers with a depth of reference not generally available outside the field of film studies itself. Other material covered includes film adaptations of works of literature and analogies between literary and film criticism.

 

Innhold

The Antecedents of Film Theory
Early Silent Film Theory
The Essence of Cinema
Russian Formalism and the Bakhtin School
The Debate after Sound
The Phenomenology of Realism
The Cult of the Auteur
The Advent of Structuralism
Textual Analysis
From Text to Intertext
The Amplification of Sound
The Birth of the Spectator
Semiotics Revisited
The Coming Out of Queer Theory
Third Cinema Revisited
Film and the Postcolonial

Cinematic Specificity Revisited
and the Leftist Turn
The Presence of Brecht
From Linguistics to Psychoanalysis
The Feminist Intervention
The Social Valence of MassCulture
The Pluralization of Film Theory
Select Bibliography
Index
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Om forfatteren (2017)

Robert Stam is Professor in the Cinema Studies Department at New York University. His many books include Film Theory: An Introduction (Blackwell Publishers, 1999), Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture (1997), Unthinking Eurocentrism: Multiculturalism and the Media with Ella Shohat (1994), which won the Katherine Singer Kovocs 'Best Film Book Award'; and Subversive Pleasures: Bakhtin, Cultural Criticism, and Film (1992).

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