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Or thither, where, beneath the showery West,
The mighty kings of three fair realms are laid:
Once foes, perhaps, together now they rest;

No slaves revere them, and no wars invade:
Yet frequent now, at midnight's solemn hour,
The rifted mounds their yawning cells unfold,
And forth the monarchs stalk with sovereign power,
In pageant robes, and wreathed with sheeny gold,
And on their twilight tombs aërial council hold.

X

But oh, o'er all, forget not Kilda's race,

On whose bleak rocks, which brave the wasting tides,
Fair Nature's daughter, Virtue, yet abides.
Go, just as they, their blameless manners trace!
Then to my ear transmit some gentle song

Of those whose lives are yet sincere and plain,
Their bounded walks the rugged cliffs along,
And all their prospect but the wintry main.
With sparing temperance, at the needful time,
They drain the sainted spring, or, hunger-pressed,
Along th' Atlantic rock undreading climb,
And of its eggs despoil the solan's nest.
Thus blest in primal innocence they live,
Sufficed and happy with that frugal fare
Which tasteful toil and hourly danger give.
Hard is their shallow soil, and bleak and bare;

Nor ever vernal bee was heard to murmur there!

XI

Nor need'st thou blush, that such false themes engage Thy gentle mind, of fairer stores possessed;

For not alone they touch the village breast,

But filled in elder time th' historic page.

There Shakespeare's self, with every garland crowned,[Flew to those fairy climes his fancy sheen!]—

In musing hour, his wayward Sisters found,

And with their terrors dressed the magic scene. From them he sung, when, 'mid his bold design, Before the Scot afflicted and aghast,

The shadowy kings of Banquo's fated line

Through the dark cave in gleamy pageant passed.

Proceed, nor quit the tales which, simply told,
Could once so well my answering bosom pierce;
Proceed! in forceful sounds and colours bold,
The native legends of thy land rehearse;
To such adapt thy lyre and suit thy powerful verse.

XII

In scenes like these, which, daring to depart
From sober truth, are still to nature true,
And call forth fresh delight to Fancy's view,
Th' heroic muse employed her Tasso's art!
How have I trembled, when, at Tancred's stroke,
Its gushing blood the gaping cypress poured;
When each live plant with mortal accents spoke,
And the wild blast upheaved the vanished sword!
How have I sat, when piped the pensive wind,

To hear his harp, by British Fairfax strung,-
Prevailing poet, whose undoubting mind

Believed the magic wonders which he sung! Hence at each sound imagination glows;

[The MS. lacks a line here.]

Hence his warm lay with softest sweetness flows;

Melting it flows, pure, numerous, strong, and clear, And fills th' impassioned heart, and wins th' harmonious

ear.

XIII

All hail, ye scenes that o'er my soul prevail,

Ye [splendid] friths and lakes which, far away,
Are by smooth Annan fill'd, or pastoral Tay,
Or Don's romantic springs; at distance, hail!
The time shall come when I, perhaps, may tread
Your lowly glens, o'erhung with spreading broom,
Or o'er your stretching heaths by fancy led
[Or o'er your mountains creep, in awful gloom:]
Then will I dress once more the faded bower.
Where Jonson sat in Drummond's [classic] shade,
Or crop from Teviot's dale each [lyric flower]

And mourn on Yarrow's banks [where Willy's laid!]

Meantime, ye Powers that on the plains which bore
The cordial youth, on Lothian's plains, attend,
Where'er he dwell, on hill or lowly muir,

To him I lose your kind protection lend,

And, touched with love like mine, preserve my absent friend!

THOMAS WARTON

FROM THE PLEASURES OF MELANCHOLY

Beneath yon ruined abbey's moss-grown piles

Oft let me sit, at twilight hour of eve,

Where through some western window the pale moon
Pours her long-levelled rule of streaming light,

While sullen, sacred silence reigns around,

Save the lone screech-owl's note, who builds his bower
Amid the mouldering caverns dark and damp,

Or the calm breeze that rustles in the leaves

Of flaunting ivy, that with mantle green
Invests some wasted tower. Or let me tread
Its neighbouring walk of pines, where mused of old
The cloistered brothers: through the gloomy void
That far extends beneath their ample arch
As on I pace, religious horror wraps

My soul in dread repose. But when the world
Is clad in midnight's raven-coloured robe,
'Mid hollow charnel let me watch the flame
Of taper dim, shedding a livid glare
O'er the wan heaps, while airy voices talk
Along the glimmering walls, or ghostly shape,
At distance seen, invites with beckoning hand
My lonesome steps through the far-winding vaults.
Nor undelightful is the solemn noon

Of night, when, haply wakeful, from my couch
I start: lo, all is motionless around!
Roars not the rushing wind; the sons of men
And every beast in mute oblivion lie;

All nature's hushed in silence and in sleep:

O then how fearful is it to reflect
That through the still globe's awful solitude
No being wakes but me! till stealing sleep
My drooping temples bathes in opiate dews.
Nor then let dreams, of wanton folly born,
My senses lead through flowery paths of joy:
But let the sacred genius of the night
Such mystic visions send as Spenser saw
When through bewildering Fancy's magic maze,
To the fell house of Busyrane, he led
Th' unshaken Britomart; or Milton knew,
When in abstracted thought he first conceived
All Heaven in tumult, and the seraphim
Come towering, armed in adamant and gold.

Through Pope's soft song though all the Graces breathe,
And happiest art adorn his Attic page,

Yet does my mind with sweeter transport glow,
As, at the root of mossy trunk reclined,

In magic Spenser's wildly-warbled song

I see deserted Una wander wide

Through wasteful solitudes and lurid heaths,
Weary, forlorn, than when the fated fair
Upon the bosom bright of silver Thames
Launches in all the lustre of brocade,
Amid the splendours of the laughing sun:
The gay description palls upon the sense,
And coldly strikes the mind with feeble bliss.

The tapered choir, at the late hour of prayer,
Oft let me tread, while to th' according voice
The many-sounding organ peals on high
The clear slow-dittied chant or varied hymn,
Till all my soul is bathed in ecstasies
And lapped in Paradise. Or let me sit
Far in sequestered aisles of the deep dome;
There lonesome listen to the sacred sounds,

Which, as they lengthen through the Gothic vaults,
In hollow murmurs reach my ravished ear.
Nor when the lamps, expiring, yield to night,

And solitude returns, would I forsake

The solemn mansion, but attentive mark
The due clock swinging slow with sweepy sway,
Measuring Time's flight with momentary sound.

FROM THE GRAVE OF KING ARTHUR

[THE PASSING OF THE KING]

O'er Cornwall's cliffs the tempest roared,
High the screaming sea-mew soared;
On Tintagel's topmost tower
Darksome fell the sleety shower;
Round the rough castle shrilly sung
The whirling blast, and wildly flung
On each tall rampart's thundering side
The surges of the tumbling tide:
When Arthur ranged his red-cross ranks
On conscious Camlan's crimsoned banks:
By Mordred's faithless guile decreed
Beneath a Saxon spear to bleed!
Yet in vain a paynim foe

Armed with fate the mighty blow;
For when he fell, an Elfin Queen
All in secret, and unseen,
O'er the fainting hero threw
Her mantle of ambrosial blue;
And bade her spirits bear him far,
In Merlin's agate-axled car,
To her green isle's enamelled steep
Far in the navel of the deep.
O'er his wounds she sprinkled dew
From flowers that in Arabia grew:
On a rich enchanted bed

She pillowed his majestic head;
O'er his brow, with whispers bland,
Thrice she waved an opiate wand;
And to soft music's airy sound,
Her magic curtains closed around.
There, renewed the vital spring,
Again he reigns a mighty king;

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