A Modern Composition and Rhetoric (complete Course) Containing the Principles of Correct, Artistic and Effective English for SchoolsB.H. Sanborn & Company, 1901 - 406 sider |
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Side xii
... Coherence 252-252 Tone - Color 254-256 Elegance as Affected by Rhythm and Tone - Color 256-257 The General Law of Emphasis 257-258 How Emphasis is Secured 258-261 Selection a Form of Emphasis 262 Force and Emphasis Exercises 262-263 264 ...
... Coherence 252-252 Tone - Color 254-256 Elegance as Affected by Rhythm and Tone - Color 256-257 The General Law of Emphasis 257-258 How Emphasis is Secured 258-261 Selection a Form of Emphasis 262 Force and Emphasis Exercises 262-263 264 ...
Side xiii
... Coherence in the Paragraph Selection Coherent Arrangement Use of Connectives Omission of Connecting Words Mass in the Paragraph Exercises • 296 297-298 298-300 300-302 302-303 303-304 304-306 306-308 308-310 • 310-311 · 311-313 CHAPTER ...
... Coherence in the Paragraph Selection Coherent Arrangement Use of Connectives Omission of Connecting Words Mass in the Paragraph Exercises • 296 297-298 298-300 300-302 302-303 303-304 304-306 306-308 308-310 • 310-311 · 311-313 CHAPTER ...
Side xix
... lesson of to - day with previous lessons , showing that the sentence should be coherent for the same reason that the paragraph should be a unified whole , and that the same literary principle is involved SUGGESTIONS TO TEACHERS . xix.
... lesson of to - day with previous lessons , showing that the sentence should be coherent for the same reason that the paragraph should be a unified whole , and that the same literary principle is involved SUGGESTIONS TO TEACHERS . xix.
Side 5
Lewis Worthington Smith, James Eames Thomas. composition must have coherence ; it must stick together . Composition , indeed , may be defined as the putting together of several elements so as to produce a unified and coherent whole . 3 ...
Lewis Worthington Smith, James Eames Thomas. composition must have coherence ; it must stick together . Composition , indeed , may be defined as the putting together of several elements so as to produce a unified and coherent whole . 3 ...
Side 61
... coherence in good para- graphs , and he will then develop his own accordingly . 23. Development by Repetition . Since the paragraph must have unity , and unity results from a relation of each part to the topic - sentence , the most ...
... coherence in good para- graphs , and he will then develop his own accordingly . 23. Development by Repetition . Since the paragraph must have unity , and unity results from a relation of each part to the topic - sentence , the most ...
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A Modern Composition and Rhetoric (brief Course) Containing the Principles ... Lewis Worthington Smith,James Eames Thomas Uten tilgangsbegrensning - 1900 |
A Modern Composition and Rhetoric (brief Course) Containing the Principles ... Lewis Worthington Smith,James Eames Thomas Uten tilgangsbegrensning - 1900 |
A Modern Composition and Rhetoric (Brief Course) Containing the Principles ... Lewis Worthington Smith,James Eames Thomas Ingen forhåndsvisning tilgjengelig - 2018 |
Vanlige uttrykk og setninger
accept adjective adverb Æneid Amphibrachic argument arrangement begin Bring to class chapter character clause clear coherence commas composition connection dactylic hexameter definite diction discourse effect elegance emotional emphasis employed England English examples EXERCISES exposition expression fact fault feeling figures force GEORGE ELIOT give graph iambic iambic pentameter ideas important Independent clauses interest language less letter literary literature look magazines matter means ment Merchant of Venice method metonymy mind nature nouns periodic sentence person phrases pleasure plural poetry preposition present principles pronoun proper prose punctuation pupil Re-write reader relation rhetoric selections sense short sentences simile sort speech statement steam story style subordinate suggest Synecdoche tence theme things thought tion topic sentences topic-sentence trimeter Trochaic unaccented syllables unity verb verse vocabulary Warren Hastings WASHINGTON IRVING whole words writing written
Populære avsnitt
Side 337 - FEAR death ? — to feel the fog in my throat, The mist in my face, When the snows begin, and the blasts denote I am nearing the place, The power of the night, the press of the storm, The post of the foe ; Where he stands, the Arch Fear in a visible form, Yet the strong man must go...
Side 4 - If to do were as easy as to know what were^ good to do, chapels had been churches, and poor men's cottages princes' palaces. It is a good divine that follows his own instructions: I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching.
Side 242 - She was dead. No sleep so beautiful and calm, so free from trace of pain, so fair to look upon. She seemed a creature fresh from the hand of God, and waiting for the breath of life — not one who had lived and suffered death.
Side 261 - I impeach Warren Hastings of high crimes and misdemeanors. I impeach him in the name of the Commons' House of Parliament, whose trust he has betrayed. I impeach him in the name of the English nation, whose ancient...
Side 385 - The mathematics and the metaphysics, Fall to them as you find your stomach serves you ; No profit grows where is no pleasure ta'en : In brief, sir, study what you most affect.
Side 2 - True ease in writing comes from art, not chance ; As those move easiest who have learned to dance. 'Tis not enough no harshness gives offence, The sound must seem an echo to the sense : Soft is the strain when zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse rough verse should like the torrent roar.
Side 310 - Paint us an angel, if you can, with a floating violet robe, and a face paled by the celestial light; paint us yet oftener a Madonna, turning her mild face upward and opening her arms to welcome the divine glory; but do not impose on us any aesthetic rules which shall banish from the region of Art those old women scraping carrots with their work-worn hands, those heavy clowns taking holiday in a dingy pothouse, those rounded backs and stupid weatherbeaten faces that have bent over the spade and done...
Side 363 - A man can scarce allege his own merits with modesty, much less extol them; a man cannot sometimes brook to supplicate or beg; and a. number of the like. But all these things are graceful in a friend's mouth, which are blushing in a man's own.
Side 273 - The only gift is a portion of thyself. Thou must bleed for me. Therefore the poet brings his poem; the shepherd, his lamb; the farmer, corn; the miner, a gem; the sailor, coral and shells; the painter, his picture; the girl, a handkerchief of her own sewing.
Side 240 - Divinely thro' all hindrance finds the man Behind it, and so paints him that his face, The shape and colour of a mind and life, Lives for his children, ever at its best...