ByronNorthcote House, 2000 - 86 sider After Shakespeare the most famous British author in Europe, in Britain Byron was for years either neglected, or a victim of the myth of his own personality. Now he is read and studied both for his complex politics and as a forerunner of many of the ideas and techniques more usually associated with post-modernism. Bone tackles the critical problems both of the populism of much of Byron's early work, and conversely of the sophisticated comedy of Beppo, Don Juan and The Vision of Judgement. He argues that for all its contradictoriness Byron's poetic mind develops organically, and that the scintillating technique of the late works grow out of the profoundly modern world-view, relativistic and secular, which had developed through his early years. Byron's writing are seen as a vital area for post-ideological and new found criticism. |
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... beauty glow . ( CHI.19 ) Here the key moment is the oxymoron ' one mighty scene , with varied beauty ' , the composition of ' mere ' nature into ' monu- mental ' nature . These set - pieces were indeed immensely attractive not only to ...
... Beauty ' is best known by its first and most ' Romantic ' stanza . Through its three stanzas it modulates from Romantic night to moral day , and from outward beauty and movement to inward purity and repose : She walks in beauty , like ...
... beauty of the sunset ) . The narrator here however will only be able to ' feel ' rather than merely ' see ' the world when he is dead , when ' dust is as it should be ' . If ' dust ' is merely ' dust ' , the pantheistic point is ...
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